Garou offers an intimate solo show built around Un meilleur lendemain, his first album as a singer-songwriter. Alone on stage with piano, guitar and subtle technology, he presents a cinematic, theatrical programme of ten personal songs and a retrospective spanning more than thirty years. Through music and storytelling he evokes moments of solitude, deep friendships and the richness of love, framed by an elegant, image-driven mise en scène.
In French.
Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.
In French.
Ensemble Rodopi presents music and dances from Thrace, a borderland where Bulgarian, Greek and Turkish traditions meet. The ensemble—Drosos Koutsokostas (laouto, vocals), Kyriakos Petras (violin), Nikos Angousis (clarinet), Alkis Zopoglou (kanun) and Yorgos Pagozidis (percussion)—explores asymmetric rhythms, layered timbres and choreographic repertoires. With participation from C.H.E.F. dancers, the programme shifts from concert to communal dance, evoking village celebrations and the tactile exchange between musicians and dancers. Recorded by RTS – Espace 2.
Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
Directed by Françoise Courvoisier, this theatrical adaptation stages two periods of Grisélidis Réal’s life simultaneously, split between a dignified elder confronting illness and a vibrant earlier self. Martine Schambacher and Françoise Courvoisier embody these contrapuntal figures.
In French.
The MEG and the Grand Théâtre de Genève join forces for a special Apéropéra around the Svatbata production, in dialogue with the museum’s permanent collection. Expect a vibrant urban aperitif with live musical performances, sprinkled with contemporary anecdotes that offer a fresh, witty take on the opera.
In French.
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