Home/Land is a participatory installation inviting reflection on the idea of home through intimate narratives and testimonies from people forced to flee. Visitors move through a miniature epic of audio testimonies, texts and tactile objects, listening, reading and exchanging with others. The work foregrounds memory, loss and the belongings we would choose to carry in an urgent departure, using simple scenography and everyday materials to create a sensitive, poetic experience.
Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.
Opening: Thursday 2 July, 18:00
The Miraculous Geneva is a group exhibition that brings together contemporary Geneva-based artists in tribute to the late artist Daniel Orson Ybarra. Featuring works by Stéphane Ducret and other renowned local artists, the exhibition celebrates the diversity and vitality of Geneva’s contemporary art scene through painting, sculpture, and multidisciplinary practices.
Alice Izzo presents Botanic Circus, an immersive installation that transforms natural elements into a poetic visual performance. Through site-specific sculptural forms, coloured assemblies of flowers, plants and fruit become staged protagonists, inviting slow wandering, close observation and tactile interaction. The work blends installation, painted surfaces and ephemeral botanical assemblage to probe nature’s textures, theatricality and human perception. A parallel programme of monthly acrylic painting workshops complements the installation.
Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.
Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.
Opening: Wednesday 1 July, 18:00
Senegalese artist Adji Diouf presents a solo exhibition of paintings that move between figuration and abstraction. Colour structures the compositions, with warm, luminous palettes where the gaze becomes an anchor in abstract fields. Recurrent cultural motifs emerge across canvases, informing a poetic and visual vocabulary. The show highlights the artist’s sustained practice and pictorial exploration of memory, identity and transmission through layered surfaces and rhythmic forms.
Hydromondes, a multidisciplinary collective, presents a two‑year field investigation into Lake Geneva through visual and narrative works. Combining art, science and activism, the group brings together architecture, theatre, hydrology, popular education, landscape design, biology, music, ethnography and engineering to produce mixed-media, research-driven installations and documentary narratives. Drawing on dialogues with local residents and ecological knowledge, the works examine water infrastructures, cultural imaginaries and governance, proposing experiments that reveal and question our relationships with the lake.
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