Friday 7 August, 21:00

Cinétransat

Summer open-air film series that reinvents cinema under the sky, offering a diverse curated selection of over fifty free films and shorts. Kenneth Branagh’s celebratory adaptation of Shakespeare’s Much Ado About Nothing balances theatrical wit and cinematic warmth, driven by an ensemble cast. The programme favours human stories, communal viewing and varied cinematic approaches—from intimate dramas to playful comedies—framing films in luminous outdoor settings and inviting reflection on connection, humour and the transformative power of storytelling.

Rue de Lausanne,
1202 Genève
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Photo Credit: DR

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Wednesday 27 May, 20:30

Graham Swon’s intimate, suspenseful study unfolds through an elderly woman’s recollection of a single summer night. On a hot evening in 1996, five teenage girls gather in a suburban house and exchange increasingly unsettling tales. Shot in lingering long takes that favor faces and silence, the film keeps terror off-screen and lets the viewer assemble the missing images. A meditation on memory, the power of storytelling and collective imagination, it trades explicit shock for atmospheric dread, textures and uncanny rhythms.

The screening will be followed by a video discussion with director Graham Swon!
In English with French sub-titles.

Thursday 28 May, 19:30

Pierre Carles’ documentary L’Affaire Abdallah examines the decades-long prosecution of Lebanese militant Georges Ibrahim Abdallah. Through testimonies and archival documents, Carles traces the judicial campaign and media orchestration, and the geopolitical pressure behind an unusually long detention. The film balances forensic investigation with humane portraiture, using austere framing and archival textures to probe state power, memory and conviction. Stern yet empathetic, it foregrounds the persistence of political belief and the human cost of prolonged incarceration. In presence of director Pierre Carles.

Friday 29 May, 20:45

Directed by Orian Barki and Meriem Bennani, Bouchra follows a 35-year-old Moroccan filmmaker living in New York who confronts a creative block when a call from her mother in Casablanca resurfaces buried memories and desires. Part autofiction, the film blends humor and tenderness to explore mother–daughter bonds, the fraught process of creation, and the porous border between memory and imagination. Poetic imagery and playful surreal moments — including encounters between an ursine figure and a coyote — shape its intimate, lyrical tone.

In the presence of directors Orian Barki and Meriem Bennani!

Languages : Darija, French, English
Subtitles : French, English

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A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

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CineGlobe, founded in 2007, curates a lively dialogue between art and science, and in its 15th edition explores energy, ecological, technological and generational transitions. Across screenings, immersive projects and hands-on workshops the programme traces moments of state change—gradual and abrupt—where one balance dissolves and another emerges. With a programme ranging from science documentaries to VR and animation (opening film Arco, Oscar‑nominated and Annecy Cristal winner), the festival favors sensory experiments, optical play and a quietly probing, inventive cinematic intelligence.

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