The orchestra, led by Nicholas Collon, will perform at Victoria Hall, offering a captivating program. The evening features John Coolidge Adams’ “Short Ride in a Fast Machine,” Gershwin’s “Rhapsody in Blue” with pianist Hayato Sumino, and Stravinsky’s “The Rite of Spring,” accompanied by insights from Collon and Tom Service. This promises to be a powerful musical experience.
Young musicians Kimia Corke (violin) and Isaac Bernheim (piano) present a dynamic program of Classical and Romantic works, featuring pieces by Beethoven, Rachmaninov, Saint-Saëns, Tchaikovsky, Mozart, Sarasate, and Brahms. By attending, you also support the CANSEARCH Foundation and its mission to improve the lives of children with cancer.
The Festival Les Créatives, a multidisciplinary event in Geneva, highlights the artistic and intellectual works of women and gender minorities. The 21st edition features concerts, theater, exhibitions, and discussions on topics such as chosen families and friendships. Notable participants include Hélène Giannecchini, Sophie Lewis, and Chloé Delaume. The festival reaffirms its commitment to combatting gender-based violence, working with the Canton and City of Geneva on local awareness campaigns.
Actor Samuel Labarthe turns Nicolas Bouvier’s fever-drenched memoir The Scorpion-Fish into a hypnotic, miniaturist tour de force: marooned in 1950s Ceylon after a headlong road trip from Geneva through the Balkans and Afghanistan, the once-ebullient traveller spirals into tropical delirium, trading human company for buzzing insects, mirage-bright visions and mordant humour that flits between the sublime and the grotesque. Under Catherine Schaub’s finely gauged direction, Labarthe channels both the lush lyricism and the slow-burn torment of this “motionless voyage,” distilling Bouvier’s languid prose into a tactile, rejuvenating elixir that lets the audience feel every bead of sweat, jolt of wonder and sting of isolation.
In French. Ages 12 and up.
In Un volcan silencieux, sociologist and director Diane Muller reconnects with ten former classmates from Dijon, all born in 1979. Through open interviews, she explores how gender, class, and societal expectations have shaped their lives — from romantic ideals to motherhood and solitude. On stage, their voices are transmitted live, creating a powerful, intimate portrait of a generation.
Co-produced with the Les Créatives festival, the piece blends sociology and theatre to map the invisible lines of social determinism.
In French.
Back from the ashes like a mischievous phoenix, this stage adaptation of Hergé’s timeless comic hurls Bianca Castafiore’s shrill “Heavens, my jewels!” onto the boards and detonates a riotous, closed-door whodunnit inside the tranquil walls of Moulinsart: red herrings fly, misunderstandings snowball and Tintin’s entire gallery of eccentrics careen through a dazzling, hyper-faithful recreation of the album, where actors vanish into near-unrecognisable guises and the set itself crackles with playful theatrical sleight-of-hand—proof that some productions really do possess a magic, living soul of their own.
In French. Ages 7 and up.
The show “7-8 Jean-François,” crafted by Alexandra Tiedemann and Céline Goormaghtigh, tells the story of a middle-aged man, disillusioned with life. Following his doctor’s advice to make a change, he enrolls in a disco dance class. There, a chance reunion with his old schoolmate Michaël stirs up past rivalries and awakens an unexpected competitive edge. Jean-François now dreams of redemption by winning the prestigious local dance event, the Night Cup.
In French.
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