Anohni and the Johnsons are set to make a comeback with a rare performance at Victoria Hall. Known for her haunting voice, Anohni blends pop and electro with political activism, tackling issues such as ecology, gender, and social justice. Her work, both intimate and universal, weaves melancholy with rebellion, providing a uniquely visceral sonic experience.
The Solistes de Beyrouth, a renowned vocal ensemble from Lebanon, will perform a gala concert at Geneva’s Victoria Hall to support Caritas Lebanon. Led by Fernando Afara, with mezzo-soprano Carine Séchaye and organist Yves Lafargue, the program will feature works by Poulenc, Bizet, Mascagni, Verdi, as well as Lebanese music.
Catalyse presents an open stage evening aboard the Bateau Genève, inviting the public to discover a range of live musical performances.
Free and open to all.
The event continues with a concert by students from EPI and Catalyse, showcasing original work, group energy, and a shared musical exploration.
Thomas Conchou concludes his residency at the MAH with two performances exploring the theme of time in the museum’s courtyard, marking the end of his IT’S ABOUT TIME program.
In March 1974, a slightly nervous Michel Berger played a song for France Gall—one he had written for himself but with her in mind. As he strummed a few chords, the lyrics left little room for doubt: Quand je suis seul et que je peux rêver / Je rêve que je suis dans tes bras / Je rêve que je te fais tout bas / Une déclaration, ma déclaration.
But the greatest love of the singer-songwriter was neither Véronique Sanson nor France Gall—his longtime partner in both life and music—but rather music itself, the only remedy for wounds that never quite healed. Behind his polished, almost reserved exterior lay a tormented man who drew boundless energy from his own fractures. A singular melodist and an underrated lyricist whose simplicity struck straight to the heart, Michel Berger didn’t just revive France Gall’s career—he also shaped those of icons like Françoise Hardy (Message personnel) and Johnny Hallyday (Le Chanteur abandonné, Quelque chose de Tennessee).
In French.
As part of the 2025 season at Théâtre de l’Orangerie, Adrien Barazzone presents “L’Homme de dos”. In this solo performance, he embodies a City Council embroiled in absurd debates and hilarious contradictions over a contemporary art piece. With biting energy, he crafts a political portrait both incisive and joyous. This play is the second installment in the “Trilogy of Systems,” following the highly acclaimed “Toute intention de nuire.”
In French.
In Geneva for 5 weeks, the Cirque du Soleil’s Kurios transforms the stage into a fantastical steampunk world where a curious inventor’s imagination takes flight. Daring acrobats, contortionists, and whimsical characters bring his chaotic cabinet of curiosities to life in a poetic, high-energy spectacle that celebrates wonder and possibility.
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