An Imagined World invites visitors into the singular and captivating universe of Mary Shalizi. Created instinctively, Shalizi’s works unfold through vivid colour, intricate patterns and recurring symbols. Figures, animals, architectural forms and imagined beings inhabit compositions that balance memory, imagination and inner experience. The exhibition brings together a selection of works on paper, offering an intimate view of the artist’s personal visual language developed over many years.
Beninese-born artist Roméo Mivekannin presents a series of paintings that investigate intimacy, memory and cultural identity. Working predominantly in acrylic on canvas, his canvases combine figurative portraiture with bold colour fields and textured surfaces. Works such as Anna in Red Kimono (2024) demonstrate a careful attention to costume, gesture and materiality, negotiating personal narrative and broader diasporic histories. The exhibition emphasises painterly craft and the tensions between representation and abstraction.
EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.
Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.
Opening: Tuesday 1 September, 18:00
On its 40th anniversary, the association Traditions pour demain commissioned five photographers from Bolivia, Ecuador and Guatemala to present documentary photographs portraying daily life, ancestral knowledge and resilience among Indigenous communities of Latin America. The series explores entangled crises—climatic, social and cultural—that shape their present, using intimate portraiture and landscape studies to reveal survival strategies, intergenerational transmission and forms of resistance. The work invites reflection on living traditions as sites of knowledge and hope.
Martin Hyde presents an exhibition examining the relationships between painting, object, ceramics, design and poetry. His practice blurs boundaries between disciplines, producing works that sit between painted surfaces, ceramic forms and functional design, often scaled to engage the surrounding architecture. The show presents sculptural paintings and crafted objects that consider materiality, repetition and the poetics of domestic forms and scale.
Pre-opening & Talk “Art & Design at a Crossroads”: Tuesday 15 September, 12:00 and Thursday 17 September, 12:00 (register by email at info@galeriejoyderouvre.ch)
Opening: Wednesday 16 September, 18:00
Through textiles, photography, performance, and writing, Vanessa Riera explores the visible and invisible burdens that permeate women’s experiences: norms, legacies, and inherited traumas, but also care, healing, and resistance. The title evokes those micromovements that allow the body to endure, adapt, and transform—gestures sometimes imperceptible, yet profoundly meaningful.
Opening during Geneva Art Week on September 16, 18:00
Gisèle Bonin presents Fragiles, an exhibition of drawings, photography and installation that examines fragment, memory and intimate loss. Using sanguine, graphite and charcoal, Bonin composes delicate, grain‑sensitive surfaces where bodily fragments become sites of presence and silent testimony. The work reflects on exile and absence, revealing how gestures of drawing and measured installation practices hold traces of difficult histories without explicit narration.
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