Magico celebrates thirty years of performance in an anniversary show that blends illusion, mentalism and humour. Through an interactive best-of, the audience chooses the acts retracing his artistic journey, from mind‑reading and card routines to large-scale illusions and improvised sketches. The staging favors close contact, playful interaction and sudden moments of astonishment, combining precise sleight-of-hand with warm comic timing to create an intimate, wonder-filled evening.
In French.
Directed by Aurélia Lüscher, Au Grand Passage stages a tender and questioning dialogue with her paternal grandmother and the spectral traces that linger among the living. Combining documentary inquiry and poetic dramaturgy, Lüscher conjures the voices of those who engage with the beyond amid a wax and mist décor that blurs visible and invisible. Drawing on readings like Magali Molinié and Vinciane Despret, the piece explores what cannot be resolved, using theatre’s spectral dimension to imagine passage between forms.
In French.
Three performers plunge into the ideas of Mark Fisher to question why imagining different futures has become so difficult. On stage, electronic music, rap, projected texts like slogans, militant karaoke and a miniature dancefloor collide. Each performer circulates with an alter ego — a kitsch, radical, excessive version of themselves — as identities slip, overlap and are improvised live. Produced by Superprod in coproduction with La Bâtie and TO!.
In French.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
Yalla Miku blends Ethiopian krar tradition with a modified banjo, deep electric bass and experimental electronics to create a dialogue between the Horn of Africa and European experimental scenes. The ensemble’s music moves through trance, electronic pulses and suspended textures, with voices weaving in and out of dense sonic layers. Performers include Samuel Ades Tesfagergsh (krar, voice), Louise Knobil (electric bass, voice), Cyril Bondi (drums, percussion, voice), Emma Souharce (machines, synths, voice) and Cyril Yeterian (Ufo banjo, electric guitar, voice).
Performed and directed by Eve Aouizerate, this incisive solo creation blends autofiction and faux stand-up to turn fairy-tale promises into a sharp satire. Using humour and precise stagecraft, Aouizerate interrogates reactionary online imaginaries and the contemporary allure of tradwives, exposing tensions between domestic idealisation and feminist inheritance. The piece mixes intimate confession, comic timing and critical observation to probe identity, boredom and the pressures shaping women’s lives.
In French.
Vocalist Nina Baietta and electronic artist Serøja Leonov create Other Speaking Cave, a hybrid performance that blurs organic voice and mirrored electronics. Between guttural vocal textures and shifting electronic mirages, the piece unfolds as an archaeological imagining of the future where the biological meets the machine. In a dim, cavernous mise-en-scène pierced by neon, light behaves like a living organism that pulses and reacts to sound. Created for Festival de la Bâtie 2026 in coproduction with a Geneva partner.
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