Written by Thais Vauquieres and Stéphane Casez and directed by Stéphane Casez, Les copines d’abord is a sharp, intimate comedy about female friendship and the small violences of everyday life. Two roommates confront betrayal, shared histories and absurd domestic battles as old resentments surface between laughter and tears. The staging balances quick-paced dialogue and physical comedy with moments of tenderness, offering a candid, bittersweet portrait of modern companionship.

In French.

Ce soir les femmes se lâchent is a bold theatrical comedy that gathers female voices in a lively, confessional evening. The piece mixes sharp humour and intimate moments to explore identity, solidarity and the rituals of contemporary womanhood. Minimal staging and dynamic ensemble work allow rapid shifts between characters, balancing satire with tenderness. The audience is invited into a rhythm of comic monologues and collective scenes that celebrate resilience and complicity.

In French.

How to Become Parisian in One Hour? offers a sharp, witty exploration of Parisian manners and urban identity through rapid-fire scenes and character sketches. The staging favours pared-down sets, precise lighting and an agile ensemble that shifts quickly between roles. Themes of belonging, stereotype and self-presentation are examined with irony and tenderness, blending comedy and social observation to provoke both laughter and reflection.

In English. 16+

Two young students, Nicolas and Valentine, seek a third flatmate and end up with Martine, a spirited fifty-something who has left her husband and lost her job. This intimate comedy follows their volatile cohabitation as each tries to supplement their income by placing personal ads, bringing husbands, clients and parents into a cramped Parisian studio. The play blends warm humour and sharp observations on generational clash, desire and unexpected solidarity.

In French.

Blabla Drive 1 is a sharp, fast-paced road comedy staged as a claustrophobic trip in a 2 CV. The play follows Marie-Thérèse, a stern former nun, Charlotte Kervanec, a headstrong Breton, and Barbara Pink, an ex–reality-TV star, whose personalities collide as secrets, mishaps and a pursuing police force escalate tension and dark humour. The production leans on tight ensemble acting, episodic staging and a kinetic, cinematic rhythm.

In French.

Donovan presents a personal, theatrical magic performance that blends grand illusions and intimate close-up effects performed in the audience’s hands. Framed as a narrative about dreams and self-revelation, the show alternates moments of spectacle and delicate sleight-of-hand to create an emotional arc. Revealed at 16 on France’s Incroyable Talent, Donovan brings television-honed charisma and precision to a poetic, contemporary approach to magic.