Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Choreographed by Christos Papadopoulos, My Fierce Ignorant Step gathers ten bodies whose mounting breath becomes the show’s engine. The piece translates performers’ respiration into kinetic waves and layered soundscapes, dialoguing with the contemporary music of Mikis Theodorakis. Drawing on the choral pulse of ancient tragedy, the work collapses collective Hellenic memory into intimate reveries — the impulse of beginnings, the buoyancy of first encounters and the spontaneous spark of early laughter. The staging is physical, precise and visceral.

Directed by Marika Dreistadt, Halte gives voice to eight young adults formerly in child protection, tracing the fragile passage from placement to adulthood. Non-professional performers — Zakaria Attoumani, Melanda Bertrand-Avebe, Celina Chraiet, Maël Do Nascimento, Alexis Limacher Abreu, Natalia Nguba Ekela, Clémentine Polly Care Pache and Léon Trolliet — blend testimony, courtroom scenes and moments of defiance. The staging mixes documentary realism and theatrical composition to reveal generation Z perspectives and intimate questions about authority, belonging and the future.

In French.

Directed, written and performed by Rébecca Chaillon, La Parabole du Seum unfolds as a contemporary tale inspired by Seine‑Saint‑Denis, Martinique and New Orleans. The piece blends fiction, narration and hybrid beliefs, using ritual and performative gestures as tools of survival and resistance for minoritised communities. On stage, Chaillon invents utopian spaces to forge new myths and imagine possible futures, combining intimate storytelling with powerful collective imagery.

In French.

Choreographed by Thomas Hauert and performed by three dancers from ZOO and three from Platform K, Where Is Everybody? explores a shared, non-hierarchical stage language rooted in improvisation and mutual gaze. The piece invites performers and spectators to dance, look and reposition themselves through moments of unpredictability, creativity and embodied presence. Sparse staging and responsive interactions foreground the living immediacy of movement, producing an atmosphere at once intimate, playful and searching.