
Situated in a recently constructed space above the new Gare des Eaux-Vives, La Comédie de Genève is a distinguished theatrical institution housing two theaters equipped with high-quality technical facilities. It hosts a wide range of performances, from classical to contemporary works, and is not limited to theater alone, often featuring dance, conferences, workshops, and collaborations with festivals.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
Choreographed by Catol Teixeira, Baby Teeth is a ten-dancer work that inhabits the mouth as a site of taste, biting and contagion. The piece weaves song, movement and tactile materials into a polyphonic choreography where pleasure and pain coexist. Collaborating with visual artists, poets and lighting designers, the ensemble explores memory, transmission and the birth of language through shifting textures and intimate gestures. The multinational creative team brings a collective, ritual quality to a sensory, transformative journey.
Corps Ô Plurielles is a participatory choreographic creation project led by Germaine Sikota and Caroline de Cornière. It examines the dancing body as a bearer of memory and singular narrative, and seeks to bridge professional dance networks across artistic, social and cultural fields while fostering a local, socially rooted ecology of creation. Through movement, voice and textiles, participants explore filiation, heritage, memory, resilience, transformation and repair. Each person is invited to bring a textile that matters in their life. The project culminates in a collective participatory performance.
In French.
Directed by Célie Pauthe and adapted from Mathieu Belezi’s novel, C’était notre terre is a five‑performer theatre piece that stages the collapse of a family in northern Algeria during the war of independence. Kamel Khélif’s paintings infuse the mise en scène, confronting the violent logics of colonial rule. The ensemble navigates memory, rupture and generational trauma through a choral narrative performed in French and Kabyle, with French surtitles.
Radio Live – La Relève presents a cross-disciplinary performance-installation that sketches the portrait of an engaged young generation. In a scenographic installation blending radio atmospheres and documentary, the piece investigates memory and shifting identities through a hybrid interplay of sound, image and spontaneous speech. Participants from Bosnia, Syria, Ukraine, Rwanda, India and France share testimonies; performers alternate (Martin France, Amir Hassan, Yannick Kamanzi, Oksana Leuta, Hala Rajab, Sumeet Samos, Ines Tanovic). The staging is intimate and investigative in tone.
In French.
Step behind the curtain on a guided backstage tour that unveils the hidden machinery of theatre life. Wander through paint and costume workshops, peek into rehearsal studios and explore corners usually closed to the public. Accompanied by a guide, you’ll hear stories about the building’s history, creative processes and the hands that build each production. The visit finishes with a shared aperitif, a relaxed moment to swap impressions and savour the theatrical atmosphere.
In French.
Apéritif Tours
Monday 31 August 2026, 18:30
Monday 30 November 2026, 18:15
Monday 25 January 2027, 18:15
Monday 26 April 2027, 18:15
“Behind the Scenes” Tours – Discover the inner workings of the Comédie and the professions of the performing arts
Wednesday 23 September 2026, 12:45
Wednesday 14 October 2026, 12:45
Saturday 6 February 2027, 15:00
Saturday 27 February 2027, 15:00
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