Situated in a recently constructed space above the new Gare des Eaux-Vives, La Comédie de Genève is a distinguished theatrical institution housing two theaters equipped with high-quality technical facilities. It hosts a wide range of performances, from classical to contemporary works, and is not limited to theater alone, often featuring dance, conferences, workshops, and collaborations with festivals.
Marlene Monteiro Freitas kicks off the Festival d’Avignon with NÔT, a dance piece inspired by One Thousand and One Nights that weaves together tales of love, war, and adventure. This performance presents a dramatic confrontation between life and death, captivity and freedom, vice and virtue, and features a human architecture reminiscent of Goya, where desires and realities clash.
In 2022, Encantado captivated audiences at La Bâtie with Lia Rodrigues’ dancers, turning rags and scraps into vibrant gardens. In the favela of Maré in Rio de Janeiro, Rodrigues established a dance school and art center to foster a creative space for emancipation. Her latest work, Borda, performed by ten artists from her school, explores the duality of “borda,” meaning both “border” and “embroidery.” The performers weave a fluid tapestry of otherness, crafting a poetic zone that intertwines resistance and reverie.
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