Alice Laloy crafts a dystopian world where two champions compete using mechanical avatars in challenges inspired by everyday life. Blending video games, visual arts, circus, and puppetry, the show features virtuoso performers—acrobats, singers, contortionists, and dancers—who captivate and unsettle the audience. The work questions contemporary power dynamics and our capacity for revolt and change.

In French.

Created and performed by Julian Vogel and written and staged by Roman Müller and Julian Vogel, Ceramic Circus is a solo circus piece conceived like a musical composition. On a circular stage Vogel pedals and skates around a swinging ceramic sphere, layering the crash of plates, drum rolls and rhythmic loops. The staging balances virtuosity and fragility, where feats and deliberate clumsiness create a tense, poetic atmosphere.

Lili Parson Piguet presents a solo circus performance blending cyr wheel, capilotraction and acrobatic monologue. Parson Piguet is the creator and performer, with dramaturgy by Adina Secretan and creative support from Basile Herrmann Philippe. Lighting is by Tiki, sound by Gaspard Perdrisat and costumes by Marie Romanens. The piece moves between tenderness and mischief, leading the audience through a poetic drift where fiction and reality meet.

In French.

Smallest Things is a melancholic and funny duo created and performed by Marc Oosterhoff and Owen Winship. With almost no set and only a few objects, lights and a single speaker, the piece gradually conjures movement and small acts of wonder from nothing. Straddling dance, circus and magic, the work explores vulnerability, hope and the tender care given to tiny things. Nanda Suc acts as external advisor; the production is by Cie Moost and includes institutional coproductions.

In French.

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

Le retour, conceived and performed by Marion Duval and staged by the Chris Cadillac company, blends theatre, clowning and performance. Marion Duval leads a large ensemble including AzuXenia, Adina Secretan and Aram Xwindar, supported by a collaborative creative team. The piece confronts antagonism between species and the collapse of capitalist systems through participatory, physical and often humorous scenes. Sparse, visceral staging and communal moments invite reflection on coexistence and collective responsibility.

In French.