These two premiere performances present a large-scale collective choreography by Catol Teixeira (The Tongue) and a dystopian fiction by Marion Siéfert (Bunker). The Tongue explores ensemble movement, textural layers and spatial composition; Bunker unfolds a tense speculative narrative forged through dramaturgical research. Both pieces stem from extended creation periods in Romandy and invite spectators to witness artistic processes and the evolving stage languages of the companies.

The Tongue – in English.
Bunker – in French

Choreographer Katerina Andreou stages a raw, physical dance work that propels fourteen performers from the Norwegian company Carte Blanche into an endurance-like marathon. Drawing on the dance marathons of the Great Depression, the piece explores desire, fatigue, power and the human need for connection as bodies cling, push and exhaust themselves within a hypnotic pulse. Between collective trance, biting irony and uncontrollable vitality, the choreography stages the tension between chaos and control and our fascination with performance and intimacy.

In English and multilingual (sung parts only).

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Choreographed by Christos Papadopoulos, My Fierce Ignorant Step gathers ten bodies whose mounting breath becomes the show’s engine. The piece translates performers’ respiration into kinetic waves and layered soundscapes, dialoguing with the contemporary music of Mikis Theodorakis. Drawing on the choral pulse of ancient tragedy, the work collapses collective Hellenic memory into intimate reveries — the impulse of beginnings, the buoyancy of first encounters and the spontaneous spark of early laughter. The staging is physical, precise and visceral.