FURTHER AFIELD
Directed and adapted by Omar Porras, La visite de la vieille dame stages a bitterly comic and satirical examination of justice, greed and communal corruption. Porras also performs the exultant, wigged and lace-clad titular millionaire, shaping a grotesque centrepiece. Fredy Porras co-signs the scenography and Marie Robert assists direction. The ensemble, led by Pierre Boulben and Manon Castellano, navigates between ferocity and jubilation in a bold tragicomedy that decapitates conventions and provokes reflection.
In French.
FURTHER AFIELD
The Inspector Cluzo, a two-man Gascon rock duo who also run a farm in the Landes, balance raw energy and ethical commitment. Their tenth album, Less Is More, produced by Vance Powell, was recorded live in Nashville in four days and mixed in three. Rooted in indie self-production, their work explores ecology, the ideas of D.H. Thoreau and post-growth thinking. On stage they translate these convictions into volcanic, high-energy shows honed over more than 1,300 concerts across 67 countries.
FURTHER AFIELD
Actapalabra is a wordless fantasmagoria performed by two clowns condemned to circle endlessly. Joan Mompart and Philippe Gouin shape a precise physical score where the absurdity of a routine recalls Chaplin’s Modern Times. Through playful repetition the piece gently shifts from mechanical deadlock to attention to the other and the unknown, blending humour and sensitivity. A universal, tender short piece that poetically invites a rediscovery of our shared humanity.
FURTHER AFIELD
Created by Pierre Guillois, Foutue bergerie is a mordant, comic fable set on a farm at the city’s edge where grieving humans share the stage with blunt, philosophising animals. A peasant family struggles with the loss of a son while sheep speak with sharp tongues, a young intern stands out among hardened characters and a journalist confronts the chemical group linked to the tragedy. Performers shift roles and give voice to grieving sheep in an absurd, farcical rural drama.
In French.
FURTHER AFIELD
TempoS is a theatrical creation by the company Les Nouveaux Nez, directed by Alain Reynaud. Between acrobatics and live music, two musicians and two circus artists answer and mirror each other in an intimate stage piece. The quartet explores the porous boundaries between disciplines, combining athletic daring, rhythmic composition and precise scenic choreography to create a dialogue of movement and sound. The production is atmospheric, tactile and attuned to the physicality of performance.
FURTHER AFIELD
Choreographed by Edouard Hue and presented by Beaver Dam Company, this two-part dance diptych investigates parenthood between private intimacy and exposure to the wider world. Before the Night transforms the ritual of bedtime into a compact choreographic study, revealing tensions and responsibilities that shape family life. The Firebird, set to Stravinsky’s score, immerses children in a sombre, metaphorical landscape of contemporary dangers while portraying parents as protective figures who free the imagination.
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