Ce qui nous traverse, choreographed by Nawal Aït Benalla and co-directed with Abou Lagraa, is a visceral dance piece by Compagnie La Baraka that probes the body in an age of technology. Dancers Elie Fico, Alba Fracchia, Marion Frappat, Alfredo Gottardi and Rachele Pinzan navigate rhythmic patterns, tensions between constraint and freedom, isolation and encounter, and the shifting boundaries of embodiment. Olivier Innocenti’s compositions and Laïs Foulc’s lighting frame a powerful, poetic investigation of collective and intimate corporeality.

Choreographed and directed by Michel Kelemenis, L’amoureux de madame muscle is a playful, ludo‑anatomical dance piece that sketches a pop, cartoon universe. Three performers — Aurore Indaburu, Anthony La Rosa and Mylène Lamugnière — animate vaudevillian tableaus, shadow‑play and circus‑tinged physical comedy to explore flesh, muscle and the poetry of movement. Kelemenis’s staging blends curiosity, wit and precise bodily observation to create a fresh, sensorial portrait of love and the human frame.

Directed by Pauline Ribat, Je viens de là stages Charles Juliet’s autobiographical writing in a sensitive, intimate performance. Adapted from Lambeaux, the piece traces Juliet’s journey toward language and self-reconciliation, exploring inner life, memory and the redemptive power of writing. Luce Mouchel and Nicolas Gonzales embody the text with restrained intensity, creating a contemplative atmosphere that privileges voice and presence. Presented in the context of a mental health week, the production offers a poetic encounter with hope and recovery.

In French.

On their fifteenth album «Où va nous ?», forty years after Tutti Frutti, Les Wampas revisit high-energy punk-pop with a blend of weary reflection and sudden bursts of fury. Led by Didier, the band shifts from a temporary abattement to an urgent need to wake up and let off steam. The result is jubilant and cathartic: raw hooks, driving rhythms and sing-along choruses that invite movement. Pamela Pogo complements the evening with inventive, energetic pop.

Caravan Palace is a global pop phenomenon blending modern electronic production with vintage jazz and swing. Over two decades and five studio albums they have popularized a vibrant electro-swing sound. On this tour they revisit signature tracks and introduce new material, channeling the spirit of 1920s American revues with brass flourishes, jazz guitar and analog synth textures. The performance is choreographed and cinematic, combining exuberant arrangements with a contagious, dance-oriented energy.

Mobula is an ode to the movement of water, a dance piece that reflects humanity’s relationship with the ocean. Directed by Jean‑Camille Goimard and performed by Pierre Theoleyre, Denis Terrasse and Anna Martin‑François, the choreography channels aquatic energy: floating beneath the surface, being tossed by waves, confronting the storm. Images are projected across a sail-like structure while Anne Martin appears as a dancer in the film, and narratives from people who live with the sea punctuate the work.