
Located on the edge of Geneva’s old town, the Alhambra has been part of the city’s cultural landscape since its establishment in 1920. It primarily serves as a venue for contemporary music events, organized by private entities and non-profit associations. The venue also hosts concerts and events during Geneva’s many festivals, offering a diverse range of musical performances.
Pierre de Maere, a 24-year-old singer-songwriter and recipient of the Victoires de la Musique Revelation award, brings feverish romanticism, biting irony and theatrical panache to an intimate pop performance. His platinum debut Regarde‑moi provides a backdrop for expressive vocals and bold stagecraft, where shimmering melodies alternate with caustic wit. The show mixes flamboyant gestures with quiet vulnerability, inviting a charged emotional arc and a sense of liberated, performative freedom across his upcoming tour.
Lio returns to the stage with a new album, Geoid Party in the Sky, conceived as an intimate tribute to the encounters that shaped her life and career. The record gathers contributions from Louane, Hoshi, Corine, Isia Marie, Betta Lemme, Sophie Ellis-Bextor, Marie Darrieussecq and Sofia Portanet, blending pop sensibilities with reflective lyricism. Produced by Opus One and Play Two, the performance promises polished arrangements and a warm, nostalgic atmosphere centered on collaboration and memory.
In French.
Laboratorium Pieśni invites listeners into a luminous world of global polyphony, presenting original arrangements of Slavic, Balkan and Baltic songs alongside new compositions from their creative laboratory. Seven women — Alina Jurczyszyn, Kamila Bigus, Lila Bosowska, Iwona Bajger, Magda Jurczyszyn-Turło, Alina Klebba and Karolina Stawiszyńska-Wiatrow — weave a cappella and instrumentally accompanied textures (drums, shruti box, flutes, chimes) into intimate soundscapes. An exploration of voice, improvisation and nature, SEPTEM traces cycles of creation, intuition and collective harmony.
At 24, Adèle Castillon channels intimate confessions into a luminous pop performance. The singer, first known as half of Vidéoclub, blends electro-pop textures with fragile vocal lines to explore heartbreak and addiction. Signed to Iconoclast and collaborating with producer Surkin, her songs mix nostalgic synths and modern pop sensibilities. Lighting and subtle arrangements cradle her voice, creating an introspective atmosphere that moves between wistful tenderness and raw emotional clarity.
Culture, curated weekly.
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