Peaches brings her No Lube So Rude Tour to Geneva with a raw, provocative live set shaped by over 25 years of boundary-pushing work. The Canadian electroclash pioneer turns the stage into a space of liberation, where punk force, queer performance and irreverent humour collide. Her latest album, co-produced with The Squirt Deluxe, deepens her ongoing exploration of identity, sexuality, age and bodily autonomy, transforming tension into pleasure and catharsis.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Stéphane Blok returns with City 8047, an album shaped in Zurich and recorded live on guitar and voice, with no post-production edits. His acoustic playing folds melody, harmony and percussion into the same gesture, creating raw, stripped-down arrangements that feel both immediate and intimate. The songs move between irony and emotion, reflecting on AI, virtuality, fakery and dehumanization without slipping into polemic. Each track keeps its own resonance, carried by precise lyrics and a singular stage presence.
Double Jeu is a sharp, playful improvisation show built around strategy, split-second choices and mutual misdirection. Each performer receives a secret mission and must weave it discreetly into the action, turning every scene into a live game of influence, bluff and comic escalation. The result is fast, unpredictable theatre where the ensemble’s timing, listening and inventiveness keep the audience guessing until the very last exchange.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
A Halloween night of short-stage performances, this festive and mysterious showcase brings hidden talents to centre stage. Local singers, spoken-word artists and experimental acts share a program of eclectic, intimate pieces that play with mood and atmosphere. Lou Mey, Inkuba 2025–26 artist, appears to introduce her musical universe. The evening privileges risk-taking, playful presentation and close audience connection, weaving theatrical touches and sonic textures into a varied, convivial performance line-up.
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