More a time capsule than a traditional museum. Step into Countess Zoubov’s elegant 18th-century world, where furniture, paintings, porcelain, and decorative arts remain arranged much as she intended in the 1950s. Among the 525 recorded pieces are numerous objects connected to Catherine II’s Russia.
Jean-Marc Yersin and Antoine Roth present two photographic projects that probe urban and natural perception.
In Cités délaissées, Yersin composes futuristic images of deserted cities where digital dematerialization, climate strain and demographic decline have hollowed out public life; the photographs evoke frozen infrastructures and virtual withdrawal. Mirages sees Roth using a long-focus digital camera along the shores of Lake Geneva to capture rare atmospheric and optical phenomena—mirages, light and reflections—questioning the materiality of landscape and how perception shapes experience.
Opening: Thursday 27 August, 18:00
Swiss artist Andreas Kressig presents Station 505, a temporary sculpture-pavilion conceived as an architectural and sensory intervention. Built in relation to an existing fountain, the work paradoxically conceals and reveals water while offering both an exterior sculpture to contemplate and an interior space to inhabit. Through material presence and spatial thresholds it interrogates public versus private realms. The project is activated by shared moments with the artist centred on a communal tea service and reflections on its diverse cultural interpretations.
Opening: 23 September, 17:00
Xinyi Hu transforms familiar domestic objects—mirrors and tables—into evolving ceramic forms that visitors are invited to activate. Between sculpture and utility, her modular pieces recalibrate everyday gestures: looking, gathering, leaning. The works demand bodily adaptation and invent new uses, making the moment of the artwork’s emergence depend on embodied engagement. Through tactility and careful material language, Hu examines presence, relationality and the thresholds where form becomes action.
Curators Ghalas Charara and Rita Elhajj present the second part of a two‑part exhibition that shapes a liminal space between listening and gesture. Through acts of defunctionalization, duplication, displacement, fragmentation and sabotage, the participating artists generate potentials for action and reclaim rhythmic breaths, steps and voices. Works from the host collection sit alongside invited pieces to evoke survivance, mourning and resistance, where memory becomes an embrace enacted by bodies searching for—sometimes finding—ancestral gestures through repetition, dance and semantic shifts.
Opening: Thursday 17 September, 18:00
Pierre La Police presents a retrospective of his work, spanning contemporary comics, digital art, installations, video and short film. Renowned for an absurdist sensibility and skewed humour, his practice blends hand-drawn sequences with experimental visual techniques and digital processes. The show traces recurring motifs—playful disruption, narrative fragmentation and visual experimentation—offering a layered survey of an artist who has expanded the language of comic art into installation and moving image.
Votive brings together Rachel Labastie and Robert Montgomery in an exhibition exploring desire, belief, memory and shared dreams for the future. Through sculpture, poetry, light, and site-specific installations, the artists reflect on peace, human connection, and the transformative power of art.
Opening: Wednesday 3 September at 18:00.
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