Mae presents songs from her new six-track EP ‘+ belle en blues’, a pop project that reads like a personal diary. Her voice navigates moments of doubt and affirmation, vulnerability and the search for identity, voicing a generation’s questioning. The set favors intimate, direct arrangements with piano and subtle textures, framed by a clear artistic direction that privileges sincerity and emotional clarity, inviting listeners into close, confessional moments.
In French.
J-Pat is a likable schlaps in this one-man show that blends humour and lightness. Written by Blaise Granget and Marc Zucchello and directed by Marc Zucchello, the performance features Blaise Granget and Damien Naïmi. Through virtuosic violin, rap and a taste for fine cars, the character oscillates between erudition and pop culture—from Seneca to Frida Kahlo and Frozen—building sharp social observations and personal struggles.
In French.
Choreographer Ruth Childs and visual artist Cécile Bouffard explore guilty pleasures, hobbies and obsessions in an installation-performance for three dancers: Cosima Grand, Marta Capaccioli and mona mioca felah. Blending gestures and objects, Such a Devoted Bunch examines mechanisms of devotion and collective ritual, turning ancestral and anecdotal practices into material for community and shared enthusiasm. The work gathers a whimsical cluster of bodies and forms that respond, repel and embrace, offering a tactile, intimate theatrical experience.
Conceived and directed by Violeta Hodgers and Sara Uslu, Dolores, Amor/Adios mortal is a one-woman contemporary-clown ceremony of farewell. Written and performed by Violeta Hodgers, the piece balances picturesque grace and exalted tragedy as a diva confronts absurdity and loss. Marion Schmid’s costumes and the dramaturgical work of Sara Uslu shape the character’s final moments, while outside eyes from Pauline Raineri, Emmanuel Gil and Laura Gambarini refine the piece. The tone mixes melancholy, dark humour and theatrical ritual, insisting on life and love.
In French.
Three performers plunge into the ideas of Mark Fisher to question why imagining different futures has become so difficult. On stage, electronic music, rap, projected texts like slogans, militant karaoke and a miniature dancefloor collide. Each performer circulates with an alter ego — a kitsch, radical, excessive version of themselves — as identities slip, overlap and are improvised live. Produced by Superprod in coproduction with La Bâtie and TO!.
In French.
Festival Kurai x Gesa gathers leading and emerging electronic artists across two outdoor stages over three days. The programming blends immersive live sets, modular synthesis and DJ performances with curated production design and light textures that shift from late-afternoon warmth to nocturnal intensity. Expect layered soundscapes, rhythmic drive and communal dance energy, framed by careful sound engineering and stage dramaturgy. Free shuttles link festival stages and the late-night club programme.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
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