Production d’Avril returns to documentary theatre with Rien que de l’eau?, a piece examining the impacts of climate change and how communities rebuild after flooding. Using personal testimonies, layered soundscapes and spare scenic devices, the work probes collective memory, practices of repair and the fragility of places. The staging balances sobriety and poetic tension, delivering a reflective, sensory encounter with the elemental force of water.
In French.
Blandine Lehout brings a frank, funny stand-up evening that mines motherhood, couple life and the strains of new parenthood with biting wit and self-mockery. Between sharp one-liners and candid storytelling she confronts loss of a past life, appetite and body-image jokes, and rebellious impulses toward moralizers and partners. The show blends autobiographical detail with cynical humor and warm audience rapport to create an unfiltered, liberating comic experience.
In French.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
FURTHER AFIELD
Mobula is an ode to the movement of water, a dance piece that reflects humanity’s relationship with the ocean. Directed by Jean‑Camille Goimard and performed by Pierre Theoleyre, Denis Terrasse and Anna Martin‑François, the choreography channels aquatic energy: floating beneath the surface, being tossed by waves, confronting the storm. Images are projected across a sail-like structure while Anne Martin appears as a dancer in the film, and narratives from people who live with the sea punctuate the work.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Jean Bellorini in collaboration with Yang Hua Theatre, this staging reimagines Antoine de Saint-Exupéry’s Le Petit Prince with the title character portrayed by a Chinese actor. The production blends French and Mandarin dialogue with live music by singers from China’s independent scene. Actors François Deblock and Marc Plas perform alongside a cast that shifts between a childlike prince, an ancient reciter of poems and fantastical cosmic inhabitants. The staging mixes song, poetry and intimate theatricality, exploring friendship and human connection.
In French and Mandarin.
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