An intimate evening of chamber and orchestral warmth exploring Brahms’s Serenade alongside Mozart’s flute quartet and Berwald’s Grand Septette. The program traces a lyric arc from crystalline chamber textures to rich, romantic orchestration, highlighting interplay between winds and strings and a refined sense of phrasing. Audiences are invited into a graceful sound world where poised elegance meets emotional depth, balanced by careful pacing and buoyant lyricism.
Directed by Jérôme Bel, this collectively created theatre piece is written and performed by children aged 8 to 14. The work unfolds through improvisation, playful imagination and a celebration of creative freedom, inviting an immediate, joyful stage presence. The ensemble’s spontaneous scenes and open-ended dramaturgy emphasize collaboration and risk, offering spectators an intimate encounter with youthful authorship and theatrical experiment.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Coordinated by Stan Breynaert, this evening presents two PrePro student projects by Esteban and Gabriel, each revealing distinct musical universes. The performances foreground intimate songwriting, experimental textures and collaborative staging, framed by feedback from external experts. The creative process is visible on stage: tentative gestures, bold sonic choices and moments of quiet intensity that invite close listening and reflection, offering a snapshot of emerging artists at a formative moment.
Cinzia Cattaneo presents a residency of sharp, observational stand-up with new material and a rotating guest comedian every two weeks. Her candid delivery and precise timing create intimate, laugh-filled situations that probe everyday absurdities and personal anecdotes. The performances combine scripted bits and spontaneous exchanges with the audience, offering a direct, charismatic stage presence and an evolving set that highlights both solo work and collaborative comic interplay.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Masood Boomgaard performs as Self-Help Singh, an alter ego who fuses stand-up comedy, parody and faux motivational speaking into a sharp, character-driven show. His sharp stage persona amplifies timely observations. With dry humour and plainspoken common-sense, he dismantles self-improvement clichés and exposes modern anxieties through carefully observed gags and storytelling. The performance balances wit and unexpected tenderness, inviting reflection as much as laughter.
In English.
Please adjust your criteria to see more results.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
Culture, curated weekly.
Event removed from your CoolAgenda.
