24 – 25 September

Halte

Booking Required

Directed by Marika Dreistadt, Halte gives voice to eight young adults formerly in child protection, tracing the fragile passage from placement to adulthood. Non-professional performers — Zakaria Attoumani, Melanda Bertrand-Avebe, Celina Chraiet, Maël Do Nascimento, Alexis Limacher Abreu, Natalia Nguba Ekela, Clémentine Polly Care Pache and Léon Trolliet — blend testimony, courtroom scenes and moments of defiance. The staging mixes documentary realism and theatrical composition to reveal generation Z perspectives and intimate questions about authority, belonging and the future.

In French.

Esplanade Alice-Bailly 1,
1207 Genève

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29 June – 5 July

Geneva International String Academy

Performances

Société de lecture

The Geneva International String Academy presents an exceptional series of concerts celebrating the artistry of emerging musicians and internationally renowned performers through a rich programme of chamber music, recitals, and masterclasses. Bringing together talented young violinists, violists, and cellists from around the world, the Academy creates a unique environment where education and performance meet, fostering artistic exchange, excellence, and creativity. Set in some of Geneva’s most inspiring cultural venues, these concerts offer audiences an intimate and vibrant musical experience while highlighting the next generation of classical talent alongside distinguished guest artists and professors.

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Monday 29 June, 21:00

Arooj Aftab

Performances

Scène Ella Fitzgerald

Arooj Aftab stands out as one of the most singular voices in today’s music scene. She blends jazz, minimalism, South Asian traditions and avant-pop to create an intimate, audacious and deeply felt repertoire. Her breakthrough album Vulture Prince earned a Grammy and drew international recognition, leading to collaborations with renowned ensembles and performances on major stages. Her music unfolds through sparse, luminous arrangements that emphasize voice, silence and emotional nuance.

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23 June – 4 July

Ah ! Une brève histoire du cri primordial

Performances

Théâtricul

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

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30 June – 5 July

Village des Cultures

Performances

Multiple locations

Village des Cultures offers a cycle of adult workshops organized by ADEM and eMa, focusing on world music, voice and dance practices. Participants explore circle songs, cantos de trabajo, body percussion and diverse dance forms—sabar and flamenco—through practical sessions led by artists and pedagogues including Marine Pelletrau-Duris, Rebecca Roger Cruz, Roberto Castillo, Khady Sarr, Mbar Ndiaye and Felipe Clivio. The programme emphasizes technique, cultural context and collective improvisation to develop expressive and rhythmic skills.

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Wednesday 1 July, 20:00

Geneva International String Academy Concert

Performances

Musée Barbier-Mueller

Young artists from the Geneva International String Academy present an evening of chamber music showcasing works by Johann Sebastian Bach, Heinrich Wilhelm Ernst, György Kurtág, Gaspar Cassadó, Paul Hindemith, Bohuslav Martinů and Felix Mendelssohn Bartholdy. The program blends Baroque clarity, Romantic virtuosity and modern string colour, offering intimate textures and fiery solos. Expect refined ensemble playing, expressive phrasing and moments of daring technique as emerging musicians explore contrasting eras and emotional landscapes.

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Wednesday 1 July, 21:00

Orchestre de la Suisse Romande

Performances

Scène Ella Fitzgerald

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

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Halte