Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Jorge Aragão brings a lifetime of samba to the stage in a program marking fifty years of songwriting and performance. His warm, unhurried delivery shapes songs that feel like lived stories—rooted in street culture, collective memory and Brazilian popular resilience. The concert unfolds as a generational transmission, where voice, rhythmic pulse and intimate phrasing invite reflection and communal joy. Lighting and sound craft close, enveloping atmospheres that foreground human warmth and the music’s soulful swing.
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
British singer-songwriter Amaria BB brings a bold fusion of R&B, dancehall and contemporary pop to the GET OUT project. Her smoky vocals and syncopated rhythms mingle with tightly produced beats, while the evening’s DJs — Spice&Curls, Guessi, Senjadi and Bobby Melo — weave seamless transitions that keep the energy taut and immersive. The program highlights contrasts between introspective balladry and dancefloor-ready grooves, delivered with London grit and a playful, modern edge.
Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.
Born in Cornwall around musician Will Greenham, Blind Yeo blends psych‑folk, krautrock and psychedelic rock into expansive, trance‑like songs. Electric guitars weave repetitive patterns over deep bass and insistent rhythms, while occasional vocal lines drift into the instrumental texture. The project functions as a constellation of collaborators: Sam Pert (drums), Phil Self (guitars), Henry Greenham (synths), Philippa Blum (cello), Jake Sheridan (bass), Anouska Helm (voice, guitar) contribute to a fluid, evolving sound that favors slow-building, immersive grooves.
Presented in collaboration with Fonderie Kugler, Celebration gathers a new generation of creators across contemporary dance, visual arts and electronic music. Choreographic works include Anemoia — created by Milla Ansermet with Thalya Graf, Nora Gisler, Nora Gatti and Elise Gobet — and Dahlia, a solo by Juliette Kuster. Qigong teacher Kiara Lavanchy and DJ sets by Mé and AIEAIEAIE weave movement, improvised scores and electronic textures into a communal tapestry of memory and shared experience.
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