Comedian Kevin Robin presents N°5 Chips, a compact stand-up show that plays with the odd intimacy of speaking into a microphone. With sharp observations and a dry, affectionate tone, Robin turns everyday anxieties and absurdities into tight, laugh‑laden sketches. The performance balances candid storytelling and quick-witted riffs, inviting the audience into a familiar, mischievous perspective on public speaking and private doubts.
In French.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Geneva’s La Revuelta is an explosive brass band that brings together musicians from diverse nationalities to create a vibrant fusion rooted in Latin American rhythms. Drawing heavily on cumbia and other styles, the ensemble blends driving brass arrangements, percussive grooves and spirited improvisation. Their performances are energetic and contrast-filled, offering an intense, festive sound journey with a commanding stage presence that invites collective movement and celebration.
Festival de piano 2026 brings together Orchestre Concertus under the baton of Matthieu Schweyer for an evening of Romantic piano concertos. Pianist Lucas Chiche performs Chopin’s Piano Concerto No. 1 with lyrical refinement, while Nathalia Milstein delivers the sweeping passion of Rachmaninov’s Piano Concerto No. 2. The programme balances intimate lyricism and virtuosic drama, framed by orchestral colour and nuanced phrasing to create a richly expressive concert experience.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.
In French.
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