Painter Éric Alibert presents a sensitive, meditative body of work inspired by the banks of the Arve. Using Chinese ink and watercolor on Japanese papers, his small-format writings of the living observe the discreet presences of urban wildlife. Through careful observation Alibert explores passages between interior and exterior, appearance and disappearance, proposing a contemplative, ecological gaze that brings wildness into the city and invites reflection on fragility and coexistence.
Carlos Schwabe’s retrospective traces the symbolism and pictorial imagination that defined his practice. Trained in Geneva, Schwabe is celebrated for evocative book illustrations and ambitious pictorial compositions that blend allegory, myth and musical ideas. The exhibition presents paintings, illustrations and preparatory drawings drawn from public and private Swiss and French collections, exploring technique, materiality and the spiritual and literary currents that shaped his visual language around the turn of the twentieth century.
Presented from the private collection of Giuseppe Garrera and curated by Andrea Bellini and Giuseppe Garrera, this exhibition assembles an array of diminutive found objects — trinkets, charms, gadgets, toys, lucky charms and fragments of wood, cloth and glass — rescued from mundane life by artists’ gestures. Hovering between toy, everyday artefact and artwork, the presentation explores the thaumaturgic qualities of objects and childhood as a site of refuge and wonder.
Opening: Tuesday 28 April, 16:00 – 21:00
Guided tours (in English)
Sunday 17 May, 16:00
Thursday 21 May, 18:30 – 19:30 (FR or EN)
Sunday 7 June, 16:00
Alexandre Baumgartner presents a body of paintings, sculptures and drawings that straddle contemporary practice and art brut. His work evokes hybrid, often ambiguous creatures, balancing an apparent innocence with acute perceptual intensity.
Using gestural drawing, tactile paint surfaces and sculptural forms, the pieces probe the boundary between presence and disappearance. The exhibition questions how simple contours and raw mark-making reactivate buried affects, revealing fragile emotional registers and the paradox of clarity within naiveté.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.
Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.
Surfaces brings together eight contemporary artists—Jörg Brockmann, Nicolas Delaroche, Teodelina Detry, Nacoca Ko, Mila Mayer, Maya Rochat, Julien Spiewak and Gabriel Wickbold—to examine the material and perceptual qualities of photographic surfaces. Works range from scratched negatives and sculpted prints to ceramic transfers and screen-based pieces. The exhibition foregrounds texture, tactility and the interplay of light and matter, considering how photographic supports shape memory, embodiment and the boundaries between analogue and digital practices.
Opening: Thursday 21 May, 18:00
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