Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Linda Bell presents an intimate durational performance that navigates repetition, memory and materiality. Working across sculptural processes and live intervention, Bell’s practice unfolds through subtle bodily presence, careful pacing and attention to gesture. The performance is presented within the exhibition Methodical Process alongside works by Nnena Kalu and Marie Gyger and realised in collaboration with Action Space, London. The atmosphere is meditative and finely calibrated, inviting close attention to process and detail.
Zucchero, the Italian rock‑blues legend, brings four decades of soulful songwriting and gritty vocals to the stage. Known for blending blues, rock and Mediterranean melodies, he has collaborated with icons such as Eric Clapton, Bono, Sting and Luciano Pavarotti. With over 60 million records sold and hits like Senza una donna, Baila (Sexy Thing) and Diamante, his performance balances intimate ballads and rousing grooves.
Plan-les-Ouates is celebrating its 175th anniversary with a comedic show starring Marie-Thérèse, the well-known Swiss housewife, alongside emerging comedians like Bruno Peki and Julie Conti. This performance advocating for greater recognition promises laughter and entertainment. .
In French.
Les yeux grand fermés is a durational radio-art project presented within a sound art biennial that stages listening as a sculptural practice. Curated by Clara Alloing, Céline Carridroit and Marie Jeanson, the programme gathers archival and contemporary radio creations — broadcasts, podcasts and performative transmissions — into a sequence of listening sessions, performances and nocturnal experiments. Themes of disappearance, mediation and the politics of FM airwaves inform an attentive, darkened setting designed to foreground sonic narratives and the materiality of listening.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Discover Late Company, a powerful and thought-provoking play by Jordan Tannahill, directed by Charles Slovenski.
This gripping drama explores the emotional aftermath of cyberbullying, as two families come together for an uneasy and deeply human confrontation. Through sharp dialogue and intense performances, Late Company invites audiences to reflect on responsibility, forgiveness, and the impact of our actions in a digital world.
In English.
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