8 May – 5 June

Dream Up

Dream Up brings together modern, post‑war and contemporary works that materialize imagination, memory, fantasy and inner vision across painting, sculpture and mixed media. The presentation juxtaposes iconic figures—Pablo Picasso, Marc Chagall, Willem de Kooning, Jean Dubuffet, Roy Lichtenstein, Yayoi Kusama, Niki de Saint Phalle, Tom Wesselmann, Manolo Valdés and Jaume Plensa—with contemporary voices including Andy Denzler, Fred Eerdekens and Feng Xiao‑Min. New works created for the occasion converse with historical pieces to generate poetic, visually intense dialogues.

Pl. de Longemalle 10-12,
Switzerland
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Photo Credit: Willem De Kooning, “Sans titre XVI”

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22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

30 April – 4 July

Curator Danniel Tostes brings together works by several generations of artists to examine community as a space of connection, resistance and collective creation. The exhibition assembles photography, installation, sculpture and mixed-media projects that forge dialogues between historical and contemporary practices. Through gestures, archival fragments and collaborative processes, the show investigates memory, solidarity and the forms that communal artistic practices take across time.

Opening : Thursday 30 April, 18:00 (Salle Saint Ours)

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening : during the Nuit des Bains, Thursday 12 March, 18:00

Closing event : in conversation with Marc-Olivier Wahler, Tuesday 12 May, 18:00-21:00

 

26 March – 8 May

Natalia González Martín presents eleven new oil paintings on panel that extend her sustained engagement with still life. Drawing on the visual language of Baroque and Counter-Reformation masters such as Juan Sánchez Cotán and Francisco Zurbarán, the works turn toward the ritual of sobremesa — the suspended time after a meal — and consider it as a gendered social space. Set against tenebrist backgrounds, plates, fruit, glasses and fragments of bodies emerge to reorient still life from display and possession toward duration, relation and the often-invisible labour of togetherness.

29 April – 28 June

Presented from the private collection of Giuseppe Garrera and curated by Andrea Bellini and Giuseppe Garrera, this exhibition assembles an array of diminutive found objects — trinkets, charms, gadgets, toys, lucky charms and fragments of wood, cloth and glass — rescued from mundane life by artists’ gestures. Hovering between toy, everyday artefact and artwork, the presentation explores the thaumaturgic qualities of objects and childhood as a site of refuge and wonder.

Opening: Tuesday 28 April, 16:00 – 21:00

Guided tours (in English)
Sunday 17 May, 16:00
Thursday 21 May, 18:30 – 19:30 (FR or EN)
Sunday 7 June, 16:00

7 May – 29 June

Pierre Tal Coat’s practice is examined through his intimate dialogue with the book, presenting around forty illustrated and picture-book collaborations alongside a selection of original works. The exhibition highlights his editorial partnerships with leading publishers and encounters with poets and writers, revealing a visual language where ink, print and image engage in precise, elliptical conversations with text. Works range across periods, tracing shifts in technique, materiality and a restrained yet expressive pictorial vocabulary.

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