Directed by a creative team and performed by a tight ensemble, Bambino explores memory, identity and the fragile bonds between generations. Sparse staging, intimate choreography and attentive lighting create shifting moods that move between tenderness and unease. The production balances physical theatre with poetic imagery, inviting the audience into a contemplative, sensory experience where gestures and silences carry emotional weight.
In Tunisian.
Led by Émile Parisien’s incisive saxophone, Floating brings together pianist Yaron Herman, tabla master Prabhu Edouard and American double bassist Joe Sanders in a quartet that blends jazz improvisation with Indian rhythmic colours. Herman’s agile piano and Parisien’s lyricism meet Edouard’s eclectic percussive palette and Sanders’s resonant bass to create shifting textures and spontaneous alchemy. Swiss pianist Manon Mullener opens with a solo set rooted in jazz and Afro‑Cuban rhythms, highlighting melodic poise. The programme also unveils the first names and visuals for JazzContreBand 2026.
Adapted by Peter Hall from George Orwell’s novel, Animal Farm is staged by Year 11 theatre students. The production channels the fable’s political bite through stripped-back staging and physical ensemble work, exploring leadership, propaganda and the corrupting nature of power. The ensemble transforms animals into archetypes, using movement, chorus and concentrated tableaux to build tense, often unsettling atmospheres. The staging balances dark satire with moments of fragile humanity, inviting reflection on authority and collective responsibility.
In English.
The MEG and the Grand Théâtre de Genève join forces for a special Apéropéra around the Svatbata production, in dialogue with the museum’s permanent collection. Expect a vibrant urban aperitif with live musical performances, sprinkled with contemporary anecdotes that offer a fresh, witty take on the opera.
In French.
“Chaos Ballad” by Samir Kennedy at Maison Saint-Gervais immerses the audience in an intense performance blending concert, wild cabaret, and prophetic nightmare. With elaborate makeup and costumes, Kennedy embodies a melancholic, decadent clown, navigating between majesty and vulnerability. The performance features a defiant dance symbolizing the struggle against terror, absurdity, and the monotony of the world, creating a captivating and apocalyptic atmosphere.
Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
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