Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
Lina_ revisits the poems of Luís de Camões in Fado Camões, a concert-poem where traditional fado is reshaped with blues and electronic textures. Her expressive voice inhabits Camões’s lyrical intensity, moving between fervour, tenderness and dramatic power. Accompanied by a small ensemble of multi-influenced musicians, the performance blends heritage and modern soundscapes to create an intimate, haunting journey that traces the emotional core of the poet’s verses.
Watches and Wonders Geneva: The Montreux Jazz Club settles in Geneva for a temporary residency.
The spirit of the Montreux Jazz Festival takes over Geneva as part of the “In The City” program of the Watches and Wonders Geneva watch show. For five consecutive evenings, a pop-up Montreux Jazz Club will open its doors at Quai du Général-Guisan to offer a free, intimate, immersive musical experience.
Organised by the Fédération d’Improvisation Genevoise, FIJI 2026 gathers young improvisers from Belgium, France, Québec and Switzerland for three nights of competitive theatrical improvisation. Teams face off in rapid-match formats under the guidance of a referee, inviting spontaneous invention, humour and risk-taking. The work is driven by ensemble listening, timed challenges and audience voting, creating an electric, playful atmosphere where gestures, voice and quick thinking produce surprising, communal moments.
In French.
Organised by Alliance Créative, Double Jeu is an improvisation format built on strategy and subtle manipulation: each performer secretly receives a mission to coax a partner into a specific action without being noticed. Scenes cascade into comic chaos where every line conceals an intention, and performers juggle personal objectives against shifting group dynamics. The atmosphere alternates between playful mischief and razor-sharp timing, producing surprising twists and communal laughter.
In French.
Reunited after more than twenty years, Satoko Fujii’s quartet returns with a thunderous blend of avant-rock and free jazz. Fujii’s mercurial compositions drive spontaneous exchanges between her piano, Natsuki Tamara’s eruptive trumpet, Tatsuya Yoshida’s propulsive drumming and Takeharu Hayakawa’s grounded double bass. The ensemble navigates volatile textures, abrupt shifts and ecstatic grooves, channeling raw energy into collective improvisation and an unpredictable emotional arc.
“Submersion Games” by Bryan Campbell at Maison Saint-Gervais is a performance drawing inspiration from the novel Moby Dick. It intertwines themes of eroticism, ecocide violence, and sado-masochistic rituals, delving into the desires and sufferings present in our relationships with work, sexuality, and the natural world. The piece immerses the audience in a maritime experience.
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