Zoe A. Keller and Batia Suter reactivate the Eranos Archive in a collaborative project that blends critical essay and photographic installation. Keller’s research interrogates archetypal image systems and proposes the concept of the “anarchetype” to unsettle fixed classifications, while Suter juxtaposes historical Eranos images with contemporary-period photographs. Together they examine ideological contradictions and heterogeneous visual encounters of the interwar archive, opening a fictional conceptual field that foregrounds the archive’s historical vulnerability and the politics of visual classification.