Succès Reprise is a sparkling vaudeville that blurs the line between theatrical comedy and the comedy of everyday life. A charming love triangle performed by a tight trio of actors unfolds through rapid-fire exchanges, physical gags and shifting misunderstandings. The staging favours bright pace and playful timing, delivering light-hearted warmth while revealing awkward human impulses and social foibles. The piece leaves a lingering smile and a sense of affectionate irony.
In French.
The Grand Théâtre invites you to the MAH for Apéropéra, a convivial event blending music, humor, and conversation over an urban aperitif. In a relaxed setting, the audience is invited to (re)discover Rameau’s Castor & Pollux from a fresh, contemporary perspective, far from academic discourse, through anecdotes from past and present and musical performances echoing the opera.
In French.
Collision(s) is a poetic and introspective theatre piece born from the encounter between playwright Catherine Tinivella-Aeschimann and particle physicist Yasmine Amhis (CNRS/CERN). Through a fragmented narrative combining intimate storytelling, to-do lists, scientific inventories and personal reflections, the play follows a young physicist struggling to balance a demanding scientific career with motherhood, while subtly addressing gender equality in STEM fields. This CERN and Château Rouge co-production gently reminds us that behind every scientific breakthrough lies a deeply human story—one that theatre is uniquely equipped to tell.
In French.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
In a Swiss adaptation of Georg Büchner’s novella “Lenz,” this musical ceremony delves into themes of loss and mourning. Three musicians pay tribute to the character Lenz, set against a backdrop reminiscent of mountains and an inner void. Blending the Alpine horn, folklore, and Fauré’s Requiem with Büchner’s words, the event explores madness, brotherhood, and hope. Through inner landscapes and traditional sounds, the celebration gently illuminates human fragility.
Led by Salvatore Vinci and an ensemble of multi-instrumentalists, this programme presents traditional music from Basilicata, Calabria, Sicily and Sardinia. Musicians — Salvatore Vinci (zampogna), Domenico Morello (voice, zampogne, organetto, tamburello, flutes), Vincenzo Di Sanzo (zampogna), Sebastiano Battaglia (zampogna, organetto, tamburello), Luca Schirru (launeddas), Nicola Scaldaferri (ciamarella) — weave intimate polyphonic breaths, rustic timbres and driving rhythms. Rooted in field research, the performance moves between ritual songs, lively dances and the tarantella’s irresistible momentum, offering vivid, earthy textures and communal intensity.
At La Cité Bleue, Bach and the Bible is a powerful and intimate performance by director Omar Porras and pianist Cédric Pescia. The show weaves together sacred biblical texts and Bach’s keyboard music, exploring the deep spiritual dialogue between word and sound. Porras voices the Gospels, Psalms, and prophecies, while Pescia delivers a luminous, heartfelt interpretation of Bach’s meditations.
Neither a recital nor a theatrical reading, the performance invites audiences—believers or not—to rediscover the universal spiritual depth of Bach’s music rooted in the Bible, creating a moving journey of meaning, beauty, and silence.
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