Astéréotypie and Orage share a double bill that contrasts angular post‑punk and textured noise with melancholic, feverish pop rock. Astéréotypie presents their latest album “Patami”, born from a collective poetry workshop and marked by abrasive electronics and layered atmospheres. Orage, the project of Alexandre Inglebert, explores intimate melodies and tense, emotive guitar work ahead of a forthcoming EP. The evening privileges raw intensity and lyrical depth.
In French.
In early January 2022, two construction vehicles belonging to a Swiss multinational were set on fire at a gravel pit in the Geneva countryside. Over a year later, a young man — referred to as Jérémy — was arrested and suspected of involvement in the arson. Held in pre-trial detention, he was released after more than three months, following strong public support and mobilization.
Led by a string quartet featuring violinists Cécile Carrière and Girolamo Bottiglieri, violist Frédéric Carrière and cellist David Poro, this lunchtime concert presents Beethoven’s String Quartet No.7 (Op.59 No.1) within an intimate series showcasing musicians from the Geneva Chamber Orchestra. The performance emphasizes clarity of texture and close ensemble dialogue, offering a relaxed, luminous listening experience where interplay and phrasing bring out the work’s dramatic contrasts and warm lyricism.
Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.
In French.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
Based on Svetlana Alexievitch’s book, this choral theatre piece gathers and amplifies the testimonies of women who fought in World War II. Directed by Julie Deliquet, it is performed by an all-female ensemble — Julie André, Astrid Bayiha, Évelyne Didi, Marina Keltchewsky, Odja Llorca, Marie Payen, Amandine Pudlo, Agnès Ramy, Blanche Ripoche and Hélène Viviès. The staging combines intimate testimony and rigorous theatrical composition to evoke trauma, memory and resilience, framed by translations and a stage version crafted with sensitivity.
In French.
Since its founding, La Fanfare du Loup has served as a musical laboratory where diverse traditions and practices meet. For this project the ensemble invites Finnish saxophonist and composer Esa Pietilä, whose exploratory voice reframes genre boundaries. The large ensemble, including Christophe Berthet (sax), Théo Duboule (guitar), Aïda Diop (percussion), Marie Mercier (clarinets) and others, trades tight horn figures, shimmering textures and improvisatory flights, creating dense, evolving soundscapes that blend composition and collective spontaneity.
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