Filmer, c’est exister is a Geneva-based film festival dedicated to Palestinian cinema, using film as a space of expression, resistance and visibility. Showcasing documentaries and fiction by Palestinian filmmakers and allies, the festival highlights lived realities, personal narratives and political contexts that are often absent from mainstream screens, affirming cinema as a vital act of existence and testimony.
Curated as a cycle of five short works by Pauline Curnier Jardin, Maria Klonaris and Katherina Thomadaki, Laure Prouvost, Mathilde Rosier and Josèfa Ntjam, Anti-Nymphs stages feminist rereadings of Greco‑Roman myths. These video essays and experimental shorts foreground body metamorphosis—gender, age and vegetal transformations—centering non‑conforming female bodies that unsettle dominant imaginaries. Textural imagery, fragmentary rhythms and tactile close-ups create a liminal, often uncanny atmosphere. The program proposes a subversive mythography that remaps ancient figures through contemporary, bodily poetics.
Since 2003, FIFDH has combined cinema with the promotion of human rights, presenting socially conscious films alongside debates and discussions that engage activists, journalists, artists, diplomats, and the public. Held across multiple venues in Geneva, including the UN, theaters, museums, and hospitals, the festival showcases feature films and documentaries that highlight human rights struggles worldwide, encouraging dialogue, reflection, and action. FIFDH has welcomed Nobel laureates, renowned filmmakers, and leading voices in activism, making it a unique platform where art and advocacy intersect.
A screening of Meloni Rising, which traces Giorgia Meloni’s rapid ascent and the normalisation of far-right politics in Italy, followed by a sharp debate asking how Europe can resist re-fascisation. Historians and activists unpack the forces hollowing out democracy—from attacks on civil rights to the erosion of the rule of law—through feminist, anti-racist and decolonial lenses.
Discussions are interpreted in English and French; the film is in French, Italian and English, with French and English subtitles.
A screening of the documentary Facing War, offering rare access to the inner workings of NATO as the war in Ukraine reshapes the global balance, followed by a timely debate asking: Is Europe at war? Amid Russia’s hybrid warfare, Europe’s massive rearmament and the growing fragility of Western alliances, diplomats, journalists and experts question the coherence and credibility of Europe’s political and military responses to an increasingly unstable geopolitical order.
Discussions are interpreted in French and English; the film is in English and Norwegian, with French and English subtitles.
The Festival du Film Vert is the leading documentary film festival dedicated to ecology and environmental issues in French-speaking Switzerland. Founded in 2006, it showcases Swiss and international films that address climate and environmental challenges and highlight concrete solutions. Designed as a decentralized, multi-site event, the festival prioritizes local access and complements screenings with discussions involving filmmakers, experts, and engaged voices, encouraging reflection and inspiring audiences to take action.
A screening of the documentary The Librarians, which exposes the large-scale removal of books and the culture war unfolding in the United States, followed by a hard-hitting debate on America’s authoritarian drift. From the erosion of civil liberties to the undermining of democratic institutions and the global export of these practices, experts and activists examine how recent U.S. policies are reshaping power at home and beyond.
Discussions are interpreted in English and French; the film is in English and German, with French and English subtitles.
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