Marc Ribot, a restless guitar legend, delivers an incandescent solo set that fuses jazz and Latin influences into a singular sonic journey. A catalyst of sounds, Ribot has shaped entire musical worlds alongside Tom Waits, the Lounge Lizards and Jim Jarmusch, and his recent album Map of a Blue City (2025) further confirms his adventurous virtuosity. In concert his playing becomes an immersive exploration of texture, rhythm and melody, moving from tender intimacy to volcanic intensity.
Created by the company Alliance Créative, COMME UN LUNDI is a fully improvised theatre piece that probes the textures of modern work life. The five performers — Nina Cachelin, Deborah Chirenti, Malik Kaufmann, Adrien Laplana and Eric Lecoultre — conjure shifting office micro-worlds, from awkward ambition to quiet complicity. Through rapid character shifts, minimalist staging and elastic rhythm, the troupe maps rivalries, unspoken desires and the absurdity of ‘bullshit jobs’, producing moments both comic and quietly unsettling.
In French.
Pulse is an acrobatic uppercut where breath, rhythm and bodies fuse into a spectacular trance. Created by Cie Kiaï, the piece propels six acrobats into a rebounding space where the laws of gravity seem to dissolve. Set to a hypnotic musical pulse, the performers lift, collide and vibrate in unison in a vertiginous choreography. The staging privileges sensory intensity, blending physical virtuosity, rhythmic precision and immersive soundscapes to deliver a visceral, kinetic experience.
Created and performed by the Patin libre troupe, Murmuration stages 15 skaters as a single, fluid organism inspired by the collective dynamics of bird flocks. At breakneck speed the ensemble executes precise, chain-reaction choreographies that merge virtuosity and risk. The piece explores harmony and antagonism within groups, alternating moments of breathtaking synchronization with fragile, intimate passages. Bold staging and relentless momentum offer a sensory, kinetic experience that blurs dance and spectacle.
Returning after two decades on the scene, Odezenne presents the Bordeaux trio’s genre-defying sound, mixing blunt, poetic lyrics with autotuned waltzes and shrewd social observation. Live they balance intimate, melancholic passages with sudden, cathartic eruptions, where close-knit interplay and textural layering create an enveloping sonic atmosphere. The set privileges rhythmic play, vocal contrasts and raw emotional intensity, offering a concentrated, immersive concert experience that reflects the group’s restless, uncompromising outlook.
Inspired by the accounts of women mountaineers, this performance intertwines mountaineering, feminism, and ecology. Two women, united against the elements, commemorate a vanished glacier, confronting fear and hope. The mountain emerges as a symbol of both endangered nature and the solidarity of humanity in need of rebuilding.
In French.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
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