Rock on Stage Classic is an event offering musicians of all skill levels the chance to perform on stage, guided by André Schmid, the former lead singer of the Geneva band Ça va chier. Participants can perform solo, with their own accompanists, or be supported by a team of professional musicians.
Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.
In French.
Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.
In French.
Directed by Françoise Courvoisier, this theatrical adaptation stages two periods of Grisélidis Réal’s life simultaneously, split between a dignified elder confronting illness and a vibrant earlier self. Martine Schambacher and Françoise Courvoisier embody these contrapuntal figures; assistant director Léa Déchamboux supports the staging. Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Nicolas Le Roy’s sound design sculpt intimate, lyrical atmospheres. Drawing on Grisélidis’s letters, the piece blends lyricism and fury into a raw, elegiac portrait of life and writing.
In French.
C’est déjà demain.14 is a festival that presents emerging creators from the Romande scene. The fourteenth edition gathers prototypes, first works, Bachelor and Master performances and short extracts in compact, experimental formats.
Artists explore form and language, blending theatre and performance in hybrid approaches that favour risk, raw material and close encounters with audiences. The programme offers a concentrated view of new dramaturgies and staging practices, and highlights projects in development.
In French.
David McVicar’s staging of Mozart’s The Magic Flute frames a fantastical quest of love and initiation. The production features Julia Bullock (Pamina), Amitai Pati (Tamino), Huw Montague Rendall (Papageno), Kathryn Lewek (Queen of the Night) and Soloman Howard (Sarastro), led by conductor Marie Jacquot in her anticipated Covent Garden debut. McVicar balances fairy-tale spectacle and intimate emotion, conjuring luminous ensembles and eerie choruses, where the enchanted flute guides encounters with danger, wonder and sudden tenderness.
In French.
Baptiste Cazaux presents a fragmented physical dance work that upends the senses. As choreographer and performer, Cazaux sculpts an explosive, hyperkinetic body that collides gestures, styles and sonic fragments like a DJ scratching samples. That’s Twisted mixes pop hymn nostalgia from the 2010s with a psychedelic collage of movement and sound, destabilising time, affect and perception. The piece traces contemporary melancholy and seeks transcendence through layered rhythms, distorted textures and sudden shifts in intensity. Création 2026, coproduction.
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