Christian Mukuna, a comedian and actor of Congolese origin, takes the stage at Théâtre Les Salons with his latest show. Performing solo, he humorously reflects on the passage of time and the concept of “last times.” Known for his role on RTS and appearances in various short films, Mukuna uses humor as a tool to tackle sensitive topics like racism. Directed by Gaspard Boesch, this performance offers a witty and insightful take on our everyday quirks.
In French.
Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.
In French.
Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.
In French.
United Strings of Europe revisit fairy-tale and folk soundscapes in a programme built around Stravinsky’s Divertimento from the ballet Le baiser de la fée. The ensemble is joined by violinist and conductor Julian Azkoul in a programme ranging from Jessie Montgomery’s Starburst and Bartók’s Romanian Dances to Telemann’s Gulliver travels, Atterberg’s Adagio amoroso and Grieg’s Holberg Suite. Expect vivid textures, rhythmic vitality and lyrical soloism in a chamber-orchestral evening.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Conceived by Jacques Gay, this new musical comedy unravels a dinner full of twists where the secret lives of the guests surface by chance. An ensemble cast shifts between comic timing and sudden poignancy, carried by an original score and witty lyrics. The staging trades realism for theatrical invention, with clever scenic shifts, expressive lighting and playful costume moments that heighten social masks and misunderstandings. The result is frothy yet incisive, a night of laughter threaded with unexpected tenderness.
In French.
An original text by Virginie Despentes is brought to life by a dancer, an actor, a percussionist, and a singer. This performance delves into contemporary themes of anger, violence, and disillusionment with a fiery clarity, dark humor, and a desperate tenderness, urging for a revolution of compassion.
In French.
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