Françoise Boillat brings Antigone to life in an outdoor performance set against the backdrop of seven “remarkable trees” each month. This unique production weaves Antigone’s defiance of political authority with her devotion to the gods. The ancient trees stand as silent witnesses to the enduring human struggles between law, nature, and freedom.
In French.
A man performs on stage, sharing a personal reflection alongside his family, friends, therapist, colleagues, and ex-partners. In seven acts, he delves into pivotal anecdotes to question gender imperatives from childhood to adulthood. The play, “Le Premier Sexe,” addresses the journey from oppression to emancipation and the shift from toxic masculinity to a distinctive masculine identity. Produced by Compagnie Passages, with Mickaël Délis responsible for both writing and directing, in collaboration with Vladimir Perrin and other artists.
In French.
The Grand Théâtre invites you to the MAH for Apéropéra, a convivial event blending music, humor, and conversation over an urban aperitif. In a relaxed setting, the audience is invited to (re)discover Rameau’s Castor & Pollux from a fresh, contemporary perspective, far from academic discourse, through anecdotes from past and present and musical performances echoing the opera.
In French.
At La Cité Bleue, Bach and the Bible is a powerful and intimate performance by director Omar Porras and pianist Cédric Pescia. The show weaves together sacred biblical texts and Bach’s keyboard music, exploring the deep spiritual dialogue between word and sound. Porras voices the Gospels, Psalms, and prophecies, while Pescia delivers a luminous, heartfelt interpretation of Bach’s meditations.
Neither a recital nor a theatrical reading, the performance invites audiences—believers or not—to rediscover the universal spiritual depth of Bach’s music rooted in the Bible, creating a moving journey of meaning, beauty, and silence.
Presented by the Geneva company Alavan, Interstice#4 — Zone Grise follows four former friends who reunite ten years after attending the same pre-professional theatre class. Combining improvisation and devised stage writing developed during a residency week, the piece explores lingering complicity, unresolved resentments and the subtle shifts time imposes on identity and relations. Intimate and tactile, the staging invites a close exchange between artists and audience, tracing memory, silence and the fragile work of reconnecting.
In French.
In a Swiss adaptation of Georg Büchner’s novella “Lenz,” this musical ceremony delves into themes of loss and mourning. Three musicians pay tribute to the character Lenz, set against a backdrop reminiscent of mountains and an inner void. Blending the Alpine horn, folklore, and Fauré’s Requiem with Büchner’s words, the event explores madness, brotherhood, and hope. Through inner landscapes and traditional sounds, the celebration gently illuminates human fragility.
Collision(s) is a poetic and introspective theatre piece born from the encounter between playwright Catherine Tinivella-Aeschimann and particle physicist Yasmine Amhis (CNRS/CERN). Through a fragmented narrative combining intimate storytelling, to-do lists, scientific inventories and personal reflections, the play follows a young physicist struggling to balance a demanding scientific career with motherhood, while subtly addressing gender equality in STEM fields. This CERN and Château Rouge co-production gently reminds us that behind every scientific breakthrough lies a deeply human story—one that theatre is uniquely equipped to tell.
In French.
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