LovPoem explores the void left by lost love through a dance that intertwines tenderness and pain. Ludovico Paladini embodies this emptiness, navigating between nostalgic memories and abrupt sound interruptions, unveiling the complexity of heartache with a mix of emotion, kitsch, and irony.
Ages 14 and up.
The groundbreaking performance by Boris Charmatz and Dimitri Chamblas, “À bras-le-corps,” first took the stage in 1993 and challenged traditional dance codes. At just 19 and 17, the dancers, trained at the Conservatoire de Lyon, sought to break free from conventional norms. Set in an intimate square surrounded by chairs, this performance embodied a spirit of libertarian and revolutionary dance. Over the past thirty years, “À bras-le-corps” has been presented numerous times, with its performers gaining strength and fluidity, while continuing to captivate audiences with a dance that defies time and gravity.
Jeanne Spaeter introduces a unique concept: a romantic relationship structured by a contract with 14 clauses and a trial period of 365 days. Documented and shared on Instagram with the hashtag #relationamoureusedequalité, the project features Mike, the chosen candidate. On stage, the audience participates by selecting objects, asking questions, voting, and sharing laughs. This performance challenges perceptions of love while providing entertainment.
In French. Ages 16 and up.
Under the glow of a streetlamp, two students await an interview with Grisélidis Réal, set as part of their final studies. In a Beckett-inspired setting, they encounter sex workers, challenging their preconceptions. The play “Contre-jour” delves into the validity of discourses between theory and lived experience, commitment, and expression. Created by Mathi and Margot Le Coultre, this debut from Cie « La Poudre à lever » delves into the topic of prostitution, drawing inspiration from Grisélidis Réal.
In French.
To mark the 25th anniversary of the Les arTpenteurs company, Chantal Bianchi and Thierry Crozat present “Au bord du monde,” a poetic and fantastical show under the big top. This artistic journey delves into a transitional realm where the past and future converge, featuring whimsical and imagined characters such as angels, a clowness, and garden gnomes. It invites audiences to rediscover the magic of the world.
Vicente Lesser Gutierrez presents KA’WIN, an evolving urban object showcased as part of the FMAC’s “Art in Public Spaces” competition. KA’WIN is an interactive installation centered around a circular bench, placed in various locations throughout Geneva and brought to life through performances and soundtracks.
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