Japanese conductor Seiji Ozawa established an academy in 2004 focusing on string quartets, bringing together 20 young soloists annually. Led by Kazuki Yamada, the Seiji Ozawa International Academy Switzerland is dedicated to nurturing the talents of the future.
Thomas Conchou concludes his residency at the MAH with two performances exploring the theme of time in the museum’s courtyard, marking the end of his IT’S ABOUT TIME program.
Catalyse presents an open stage evening aboard the Bateau Genève, inviting the public to discover a range of live musical performances.
Free and open to all.
The event continues with a concert by students from EPI and Catalyse, showcasing original work, group energy, and a shared musical exploration.
A hilarious musical featuring numbers performed by passionate and enthusiastic actor-singers.
In French.
As part of the 2025 season at Théâtre de l’Orangerie, Adrien Barazzone presents “L’Homme de dos”. In this solo performance, he embodies a City Council embroiled in absurd debates and hilarious contradictions over a contemporary art piece. With biting energy, he crafts a political portrait both incisive and joyous. This play is the second installment in the “Trilogy of Systems,” following the highly acclaimed “Toute intention de nuire.”
In French.
Join us on the Bateau Genève for an extraordinary musical evening featuring students from EPI and Catalyse. Experience a concert where voices, rhythms, collective creation, and stage presence intertwine to deliver a sensitive and vibrant experience. In this historic setting, music transforms into a space for connection and expression. The young artists, fueled by the group’s dynamic energy, will offer a generous performance that blends improvisation with original compositions.
In March 1974, a slightly nervous Michel Berger played a song for France Gall—one he had written for himself but with her in mind. As he strummed a few chords, the lyrics left little room for doubt: Quand je suis seul et que je peux rêver / Je rêve que je suis dans tes bras / Je rêve que je te fais tout bas / Une déclaration, ma déclaration.
But the greatest love of the singer-songwriter was neither Véronique Sanson nor France Gall—his longtime partner in both life and music—but rather music itself, the only remedy for wounds that never quite healed. Behind his polished, almost reserved exterior lay a tormented man who drew boundless energy from his own fractures. A singular melodist and an underrated lyricist whose simplicity struck straight to the heart, Michel Berger didn’t just revive France Gall’s career—he also shaped those of icons like Françoise Hardy (Message personnel) and Johnny Hallyday (Le Chanteur abandonné, Quelque chose de Tennessee).
In French.
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