Thursday 7 May, 19:00

Yurlu | Country

Yaara Bou Melhem’s documentary Yurlu | Country follows Maitland Parker, a Banyjima custodian fighting to protect Yurlu, his ancestral land in Western Australia’s Pilbara from asbestos mining devastation. Shot with intimate observation and a community-centred perspective, the film bears witness to a health and environmental catastrophe and to one man’s struggle against corporate indifference as he confronts terminal illness. It blends personal testimony and landscape imagery to explore land rights, memory, and the moral urgency of environmental justice.

Followed by a talk with Adrià Budry Carbó and Agathe Le Vaslot.

Promenade des Rêveries 2
Photo Credit: DR
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Photo Credit: DR

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May 2026

CineGlobe is a singular science film festival held at CERN, exploring the fertile ground where science, technology and culture meet. Rather than focusing on traditional science fiction or didactic documentaries, it showcases inventive films that draw inspiration from scientific ideas and use storytelling to spark curiosity, reflection and debate. Each edition is guided by a broad thematic thread, offering a bold and imaginative look at contemporary issues — from climate change to digital societies — while celebrating creativity, narrative power and fresh perspectives on science.

30 March – 15 June

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

Monday 11 May, 18:15

Atom Egoyan’s Ararat frames the legacy of the 1915 Armenian genocide through a mosaic of interconnected lives. Layering an artist painting his mother, a director staging his definitive film, a young man at customs, a daughter seeking her missing father, a lecturer and an actor confronting role and responsibility, the film probes memory, exile and the struggle to reconstruct a contested past. Sparse, textured imagery and careful rhythms create a reflective, often unsettling atmosphere that examines how history is performed, remembered and inherited.

English with French subtitles – Followed by a talk with Arsinée Khanjian (actress and producer) and Valentina Calzolari Bouvier (professor of Armenian studies at the University of Geneva).

Wednesday 20 May, 19:30

Ernst Zürcher and Jean-Pierre Duval’s lyrical documentary blends scientific inquiry and poetic imagery to explore an ancient, venerated forest. Drawing on forest science and filmic observation, it examines the idea of a forest’s “collective intelligence” and follows encounters with a deer both visible and invisible — a figure that ties myth, art (echoes of Miyazaki’s Princess Mononoke) and ecology. Quiet, textured cinematography and contemplative rhythms foreground biodiversity, climate regulation and our lost harmony with the land, balancing empirical insight with a meditative emotional core.

The screening will be followed by a discussion with:
– Ernst Zürcher – forestry engineer (ETH Zurich, EPFL, HES Bern, UNIL), author of *Trees, Between Visible and Invisible* and director of the film
– Jean-Pierre Duval – photographer and filmmaker
– Sophie Swaton – founder of the Zoein Foundation, philosopher and economist, lecturer-researcher at UNIL and contributor to the film.

In French.

Thursday 18 June, 11:00

Curated with Animatou, this relaxed screening invites audiences into a gentle cinematic space where the lights stay soft and the door remains open. The program showcases short animated works that favour texture, rhythm and intimate gestures, presented with lowered sound to welcome diverse needs. Emphasizing presence and sensory detail over plot, the session foregrounds communal response—laughter, movement, quiet—while offering a calm, attentive frame for discovering films in an accessible, non-judgemental atmosphere.

Thursday 21 May, 19:00

Helena Dali’s documentary reconstructs the life of Swiss entrepreneur Cäsar Dubler and the textile empire he built in Catalonia. Seen through the eyes of his grandchildren, the film interweaves family albums, Swiss archives and Catalan landscapes in an intimate, archival-driven study of industry, exile and memory. It traces the rise and decline of a family business against twentieth-century social and political upheavals, favouring textured images and contemplative rhythms to evoke the traces and silences that shape personal and collective history.

The screening will be followed by a discussion with director Helena Dali and Sébastien Farré, director of the Maison de l’histoire and co-director of the Festival Histoire et Cité.

Original version in Swiss German, German and Spanish with French subtitles

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