30 March – 15 June

White Coats and Silver Screens

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

Rue du Général-DUFOUR 16,
1204 Genève
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Photo Credit: DR

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7 March – 12 April

The Festival du Film Vert is the leading documentary film festival dedicated to ecology and environmental issues in French-speaking Switzerland. Founded in 2006, it showcases Swiss and international films that address climate and environmental challenges and highlight concrete solutions. Designed as a decentralized, multi-site event, the festival prioritizes local access and complements screenings with discussions involving filmmakers, experts, and engaged voices, encouraging reflection and inspiring audiences to take action.

Tuesday 31 March, 19:00

Marc Silver’s documentary traces a father’s search after his fourteen-year-old daughter, Molly, dies by suicide following exposure to dangerous online content. The film examines how social platforms and opaque algorithms shape youth mental health and public life, moving between intimate testimony and investigative urgency. It frames a moral and legal reckoning—accountability, institutional denial, the stakes for democracy—through a sober, observational lens. Tense, empathetic and unflinching, it foregrounds the human cost of engineered attention.

Tuesday 31 March, 18:30

Through intimate, sea-borne portraits, this documentary traces a Swiss Arctic expedition led by the Pacifique Foundation (2020–2024) in partnership with the University of Geneva. Aboard the sailing vessels Mauritius and Que Sera, crews gathered extensive scientific data while the voyage doubled as a space for personal transformation—hosting young people in reintegration programs and artists in residence. The film balances measured observational frames with lyrical passages, revealing the Arctic’s fragile beauty and the geopolitical and climatic tensions pressing upon it.

Documentary followed by a roundtable discussion on the interactions between environmental research and contemporary challenges in the Arctic.

In French & in English

Wednesday 1 April, 18:30

Corinne Kuenzli’s documentary examines children placed in Swiss care during the 1980s through archival research and intimate testimony. Following families who sift through dossiers, photographs and official records, the film maps the long traces of silence, institutional violence and solitude that shape generations. Kuenzli adopts a patient, investigative gaze—combining close-up interviews and documentary artifacts—to listen as survivors and relatives rebuild narratives. The result is a restrained, textured film about memory, accountability and the fragile work of reconnection.

Followed by a discussion (in French) with Joëlle Droux, Senior Lecturer and Researcher in the History of Education at the Faculty of Psychology and Educational Sciences at the University of Geneva.

In Swiss German (original version), with French subtitles.

11 March – 12 April

Curated loop of films by Tabarak Allah Abbas and Roman Selim Khereddine. Tabarak Allah Abbas blends painterly composition and intimate animation to probe belonging and exile — from a three-part family chronicle of second-generation immigrants to a dystopian, cyborg-infused refugee voyage. Roman Selim Khereddine uses stark observational imagery and still frames from racetracks to examine hierarchical, exploitative relationships between humans and animals and the rhythms of late-capitalist spaces. Together the works balance lyric memory and forensic observation, alternately tender, uncanny and unsparing.

Wednesday 8 April, 18:00

Marion Neumann’s personal documentary explores the regenerative capacities of mushrooms through a reflective, exploratory lens. Traveling alongside parasites, symbionts and decomposers, the film offers intimate encounters with people and organisms who imagine renewal amid collapse. It meditates on interconnection, collaboration and forms of resistance, blending observational scenes with poetic reflection. Earthy textures, quiet rhythms and a curious emotional core invite viewers to reconsider human relationships with the more-than-human world and to envision a myco-cultural rethinking of care and repair.

Followed by a discussion with director Marion Neumann in attendance.
In collaboration with Eleusis Society, as part of Magic Bus Evolution.

In English (original version), with French subtitles. Discussion in French.

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