Thibaud Agoston offers his third and most personal stand-up show, Petite Mort, a sharp and intimate exploration of love, friendship, sexuality and loss through the prism of a breakup. With candid storytelling, self-deprecating humour and observational wit, he navigates tensions between desire and grief while keeping the audience laughing. The evening opens with Félix Ringaby, a young Swiss stand-up artist whose fresh voice complements Agoston’s darker comic reflections.
In French.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
United by a long-standing artistic rapport, Carmela Delgado, Émilie Aridon-Kociołek and Mathias Naon founded Trio Tasis in 2023. The ensemble investigates an intimate, inventive chamber tango drawing on classical music, jazz, chanson and Latin American folk traditions. Their interplay creates a living, mobile sound identity shaped by encounters between tradition and contemporary influences. Performances favor nuanced dialogue, close listening and rhythmic warmth that transform familiar repertoire into subtle, expressive narratives.
Pay-what-you-can at the exit.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
K-Pop Fever is a live show staging the most popular K-pop hits in a spectacular, immersive experience. From the driving sounds of HUNTR/X and the energy of Saja Boys to emblematic tracks by BLACKPINK, BTS and other major K-pop acts, the programme journeys through songs that have captivated millions. Music is central, magnified by performers, lighting, set design and striking visuals that turn each number into a memorable, emotion-filled moment.
Emerging from Liverpool roots and a history of expansive ambient post‑rock, Newhvn reunites members of A Burial At Sea to explore a rougher, more direct sound that blends rock, alternative and grunge with shoegaze and post‑hardcore inflections. Their forthcoming ten‑track debut, shaped in isolation at Black Bay Studios, juxtaposes textural atmosphere and abrasive surges. Swiss post‑rock trio Maïak complements the bill with instrumental pieces that move from melancholic introspection to cathartic, chaotic climaxes.
Led by conductor Natacha Casagrande, this programme brings together the refined textures of the Geneva Chamber Orchestra and four soloists — soprano Clémence Tilquin, alto Mi-Young Kim, tenor Erwan Fosset and baritone Seongho Han. The evening juxtaposes Saint-Saëns’s delicate La Lyre et la Harpe with Gabriel Fauré’s Requiem, weaving luminous orchestral colour and intimate vocal lines. The performance favours clarity, warmth and a contemplative atmosphere that highlights the scores tenderness and quiet ritual.
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