An interpretive tour built around a selection of objects from the permanent collection that examines cultural sensibilities toward death.
Through funerary objects and everyday artifacts, the visit traces diverse conceptions of mortality across continents and historical periods. It probes how communities ritualize dying, commemorate the dead, and integrate loss into social life, revealing how material culture and ritual practice shape collective and personal experiences of death.
Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.
Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.
Opening: Wednesday 1 July, 18:00
Julian Charrière presents a major project that traces geological, climatic and planetary time through sculpture, installation, film and photography. Using stone, ice, coal, lava, metals and fossil matter as both material and subject, the works examine entangled histories of nature, extraction, industry and myth. Charrière compresses deep timescales into sculptural processes — coring glacial boulders repaired with precious metals, mechanically transforming ancient rocks, and reframing extractive landscapes as sites of destruction and wonder.
FAAB G collective presents an exhibition centred on FLINTA* figures connected to Asia, bringing together works by Jeanne Tara, Juli Sando, Sayaka Mizuno, Camille Farrah Buhler, Anaïs Nariman Aïk, Fhunyue Gao and Li Chaolin. Through installation, photography, sculpture and mixed-media, the project interrogates dominant narratives that invisibilize or simplify identities and memories. Nourished by anticolonial and transfeminist perspectives, the show explores political, historical and intimate forms of resistance and proposes encounters between personal testimonies and collective histories.
Opening: Tuesday 7 July, 18:00
Featuring pieces by Faye Toogood, Studiopepe, Domingos Totora and Clément Thévenot, DOMUM invites you to discover their new exhibition, taking inspiration from food shapes and colors: Bread&Butter.
Opening: Thursday 21 May at 18:00
Maliza Kiasuwa and Gavin Goodman present a black-and-white duo exploring emergence, connection and material memory.
Kiasuwa’s “Rhizomes” comprises sculptures of rope and woven elements that evoke roots and organic networks, invoking Deleuzean rhizomes to probe multiplicity, transformation and fragile relational structures.
Goodman’s “Vela” consists of photographic, hand‑painted works that reinterpret traditional garments through minimalist restraint, allowing motifs of appearance and becoming to surface.
Together the projects juxtapose sculptural tactility and photographic restraint to question how tradition and form reappear in contemporary practice.
Closing event: Wednesday 9 September, 18:00
Measures of Infinity brings together works by Susanna Bauer, Frankie Gao and Carol Prusa in a contemplative exhibition of drawings, installations and meticulously crafted objects. Bauer transforms fragile leaves into intricate, almost meditative compositions; Gao offers pared-back drawings and open installations that evoke cosmic structures; Prusa constructs pieces informed by scientific models and unseen phenomena. Across scale and material, the show explores perception, precision and the tension between the intimate and the vast, inviting close looking and slow attention.
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