Madeleine Leclair presents a unique sound performance based on recordings from Borneo and other threatened forest environments. She creates a live mix using vinyl records from the International Archives of Popular Music at MEG and her personal collection, highlighting the acoustic richness of these habitats. This performance is a side event to the exhibition “SAUVAGES: behind the scenes of Claude Barras’s film.”
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.
In French.
Choreographic performance by Israel Galván and Mohamed El Khatib, Israel & Mohamed confronts religious heritage and family history through visceral dance-theatre. Drawing on Galván’s upbringing as a Jehovah’s Witness and El Khatib’s roots in a devout Muslim family, the two performers negotiate identity, ritual and artistic freedom. Conceived and performed by Mohamed El Khatib and Israel Galván, the creative team includes Fred Hocké (scenography), Pedro León (sound), Zacharie Dutertre (video) and Micol Notarianni (costumes). Produced by Zirlib and IGalván Company.
In French.
Cosima Weiter performs a staged reading of her autobiographical text Morte et vive, accompanied by musician Laurent Vichard whose live sound punctuates the narration. The piece moves between lyric poetry and intimate testimony, privileging the sonic textures of language and silence. Published by Les éditions Gros Textes, the performance frames memory and voice as communal experience, alternating quiet introspection and rhythmic swells to draw listeners into an embodied, resonant portrait.
In French.
Performed by Nile Koetting, this live performance arises from Jade Meili Barget’s ‘First impressions’ residency and examines the fragile mechanics of perception and encounter. Using measured gestures, spatial rhythms and attentive listening, Koetting sculpts a contemplative atmosphere where bodily detail and silence carry emotional weight. The piece invites close attention to timing, texture and the poetics of presence, producing intimate tension and quiet revelation.
Hosted by the Fédération d’Improvisation Genevoise, IMPROFOLIES gathers two visiting troupes from Belgium and France for three nights of improvisation themed around the Roaring Twenties. Each evening presents a distinct format — Destin sur Mesure, Le Gala des Vedettes and Le Grand Cabaret — blending comedy, musical pastiche and theatrical spectacle. Performers rely on quick wit, collective invention and audience choices; tokens and a spinning wheel introduce playful competition and unpredictable climaxes.
In French.
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