Rich Peppiatt’s riotous biopic plunges into Belfast’s restless energy, where a trio of misfits turns hip-hop into a rallying cry for language, identity, and resistance. Mixing irreverent humour with raw urgency, the film follows Kneecap as they rap in Irish and stumble into the front line of a civil-rights movement to protect their mother tongue. Vibrant, anarchic, and sharply political, it celebrates the power of marginal voices refusing to be silenced.
Founded in Geneva in 1951 by cinema enthusiasts including Alain Tanner and Claude Goretta, the Ciné-club universitaire de Genève (CCU) has spent 75 years bringing audiences together around singular films and shared discoveries.
To celebrate its 75th anniversary, the CCU looks back across more than seven decades of cinema with a programme of 30 films spanning continents, genres, generations and perspectives — while looking towards the future of the seventh art.
Orkhan Aghazadeh’s tender documentary follows an elderly projectionist in an isolated Azerbaijani village as he strives to revive the local cinema after years without a screening room. Observational and intimate in approach, the film captures quiet gestures, communal rituals and the projectionist’s relationship to memory, passion and intergenerational transmission. Through patient framing and subtle soundscapes, it becomes a reflection on cultural persistence, the fate of traditional film spaces and the communal power of shared images.
Talysh and Russian with French subtitles. Screening in collaboration with Let’s Doc! (National Documentary Month). Screening followed by a discussion.
Anne-Frédérique Widmann’s documentary traces the long fight of Shewit Tekie, whose search for safety becomes a portrait of resilience and self-determination. Moving from Eritrea to Libya and then to Switzerland, the film follows her struggle to rebuild her life after exploitation, uncertainty, and the threat of deportation. Filmed over ten years, it blends testimony and intimacy in a restrained, human approach that gives full weight to a powerful story of emancipation.
The screening will be followed by a short discussion with the film’s protagonist, Shewit Tekie; the director, Anne-Frédérique Widmann; and the co-head of the organization AMIC, Melete Solomon.
Ridley Scott’s 1982 Blade Runner plunges into a rain-drenched, neon metropolis where bounty hunter Rick Deckard tracks synthetic replicants. The film’s measured pacing and lingering frames foreground questions of identity, memory and empathy, probing what separates human from artificial life. Dense, noir-inflected visuals and a melancholic atmosphere give the story an elegiac tone, balancing tense encounters with reflective solitude. Its interrogation of consciousness and longing lingers long after the credits.
Screening featuring live analysis and audience discussion. In French.
Mark Osborne’s animated adaptation of Antoine de Saint-Exupéry’s tale follows a little girl living in a world governed by success, who meets an old aviator and through his story rediscovers imagination. Mixing digital animation and stop‑motion techniques, the film offers a layered visual poetry that preserves the book’s themes—childhood, curiosity and the need to see beyond appearances—while questioning the place of wonder in a rational, achievement‑driven society. Intimate and visually inventive, it speaks to both children and adults.
In English with French subtitles. Part of the Cinémas du Grütli’s screenings for young audiences, in collaboration with Terre des Hommes.
Julie Benzoni, Manon Heurtel and Jérôme Prouvost’s documentary The Tradwives of America examines the recent rise of the #Tradwife movement through intimate portraits and testimony. Focusing on Solie and Andre, a practising Catholic couple, and Enitza, a former tradwife who left after ten years and four children, the film probes how online conservatism shapes domestic ideals and challenges women’s autonomy. Concise and observational (25 min), it navigates ideology, family intimacy and the emotional costs of prescribed gender roles.
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