Sopranow and the Gentle Men arose from the meeting of a classically trained soprano and a jazz musician. Through arrangements drawn from musical theatre and film scores, Sarah Pagin and Cyril Amourette explore a varied sonic palette with elegance and drive. Joined by Salvi Jonathan on drums and Pierre Kuthan on double bass, the quartet reawakens well-known classics and lesser-known gems with delicate, sensual phrasing and close ensemble interplay.
Festival Kurai x Gesa gathers leading and emerging electronic artists across two outdoor stages over three days. The programming blends immersive live sets, modular synthesis and DJ performances with curated production design and light textures that shift from late-afternoon warmth to nocturnal intensity. Expect layered soundscapes, rhythmic drive and communal dance energy, framed by careful sound engineering and stage dramaturgy. Free shuttles link festival stages and the late-night club programme.
Primeurs Musicales is a dynamic classical music festival dedicated to discovering and supporting the next generation of musical talent. Showcasing outstanding young performers from conservatories and music academies, the festival creates meaningful opportunities for emerging artists to share the stage, collaborate with established musicians, and engage with new audiences. Through a diverse programme of concerts, chamber music performances, artistic encounters, and contemporary creations, Primeurs Musicales combines excellence, transmission, and innovation while making classical music more accessible, vibrant, and connected to today’s cultural landscape.
Neverland is a chamber opera directed by Julien Chavaz with music by Sarah Nemtsov and performed with Ensemble Contrechamps. The piece inverts the Peter Pan myth, presenting an unsettling child who refuses to grow and becomes trapped in a frozen eternity. Nemtsov’s score blends whispered voices, dense orchestral textures and electronic fragments to shape a fragile, tectonic sound world. Staging, lighting and costumes transform a shifting house where memory, fear and metamorphosis are embodied.
Geneva’s Orchestre Tout Puissant Marcel Duchamp offers a nomadic musical odyssey that blends fervent rhythms, sonic experimentation and a spirit of freedom. For nearly twenty years the collective has shaped a distinctive sound: layered voices, interweaving textures and songs that confront the present without succumbing to despair. Carried by an impressive constellation of brass, strings, percussion, marimbas and guitars, more than fifteen musicians create generous, mobile and intensely alive music that moves between communal celebration and joyful escape.
Additional free performances:
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
Swiss mezzo-soprano Marina Viotti and American pianist Todd Camburn form a close musical partnership, presenting a programme that juxtaposes Wagner’s Wesendonck Lieder with Chausson’s Poème de l’amour et de la mer. The recital also includes Duparc’s intimate mélodies, Poulenc’s nuanced songs and a brief solo piano Improvisation, plus chansons by Jacques Brel and Léo Ferré in an arrangement by Guy‑François Leuenberger commissioned for the occasion. Gregory Rauber provides a contextual introduction. The evening unfolds with oceanic textures, luminous phrasing and intense lyric intimacy.
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