Presented by Alpha FG Music, Pasión de Buena Vista gathers the Buena Vista Band, spirited backing singers and the dance company El Grupo de Bailar in a vibrant homage to Cuban music. The programme spans son, rumba, danzón, trova, mambo and salsa, propelled by percussive layers and brass accents. More than 150 tailor-made costumes and dynamic choreography evoke the streets and nights of Cuba, offering a sensory celebration of rhythm, voice and communal joy.
Under the baton of Eun Sun Kim, violinist Frank Peter Zimmermann will join the Orchestre de la Suisse Romande (OSR) for a concert at Victoria Hall. The program features Mendelssohn’s “Hebrides” Overture, Frank Martin’s “Concerto for Violin and Orchestra,” and Beethoven’s iconic “Symphony No. 5.” This evening offers a captivating journey through pieces that evoke nature, enchantment, and dramatic power, with a total duration of about 1 hour and 40 minutes, including an intermission.
The Canadian group Ghostwoman is set to deliver a rock concert at Villa Tacchini, blending americana, garage, and psych rock. This mesmerizing, timeless musical journey is presented in collaboration with the Festival Antigel. Since 2011, the festival has explored Geneva over three weeks, showcasing innovative performances by both renowned and up-and-coming artists, while highlighting unique venues.
The company Chantal et Bernadette explores, with both naïveté and documentary precision, the foundations and challenges of the education system through the story of Kévin, who feels let down by it. By merging scientific inquiry with theatrical expression, they engage the audience’s critical thinking. This production is a collaborative creation by Arnaud Hoedt, Jérôme Piron, Antoine Defoort, and Clément Thirion, developed in close partnership with researchers, with special attention to set design and technical aspects.
In French.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.
In French.
Nicolas Fayol performs a striking solo that confines the body to a 1.5‑metre landscape, exploring what a man becomes when he can no longer stand. Through contortions, breaths and improvised encounters between hands and feet, he invents new physical vocabularies that blend acrobatics, yoga and hip‑hop. Bathed in precise lighting and accompanied live by the duo Mont Analogue, the piece shifts between animal, child and prehistoric forms, offering a tactile, intimate meditation on human posture and transformation.
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