Through archival photographs, site plans and excavation notebooks, this exhibition traces sixty years of Swiss archaeological research in Sudan, from the fourth millennium BCE to the Meroitic era. It presents work conducted at Tabo, Akasha, Kerma — including the Deffufa — and Doukki Gel, highlighting discoveries, field methods and the material traces of long-term study.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
Ernest Pignon-Ernest, born in 1942 in Nice, is considered one of the pioneers of street art. Through life-sized charcoal drawings pasted directly onto city walls, he creates powerful encounters between his human figures and the urban spaces they inhabit. Deeply engaged with social and political issues, his work reflects historical and contemporary struggles while maintaining a strong poetic and human presence.
Opening during the Nuit de Bains on Thursday 12 March at 18:00.
Geneva-based artist Christian Robert-Tissot transforms everyday words, slogans and street expressions into bold visual artworks. By shifting these familiar phrases out of their usual context, he reveals their rhythms, ambiguities and hidden meanings, turning ordinary language into playful reflections on daily life.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
MAMCO presents Dial‑A‑Poem Switzerland, a telephone-based poetic broadcasting project inspired by John Giorno. The installation transforms a decommissioned phone booth into a listening station, gathering recorded voices from across Switzerland’s linguistic regions. The programme features contributions by poets and artists exploring language, public space and oral transmission, alternating recorded and live readings. Conceived with Giorno Poetry Systems, the project foregrounds voice as material and communal listening as a poetic practice.
London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.
Furious Thinking presents works by Bachelor students from HEAD Genève’s Chroma option, examining the origins of their emerging artistic practice. Blurred memories, endless archives, accumulated collections and the ceaseless image feed converge in a room-like installation of personal effects: mutant PEZ, bigfoot slippers, jewellery, dice, cakes, a bed and stacked plastic chairs, alongside politics, family, distant mountain chants and a few monsters. The exhibition functions as exercise, rehearsal and edition, probing how images wound, soothe and shape authorship beyond the canvas.
Opening : Friday, April 17, 18:00 – 21:00.
Closing : Friday, May 8, 16:00 – 18:00 pm, including a listening session with Henry Rausch. In French
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