7 May – 10 January

Le futur, c’est quoi ?

This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.

Boulevard Carl-Vogt 65,
1205 Genève
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16 December – 30 April

FURTHER AFIELD

This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.

23 January – 3 April

Mitchell Anderson presents a new edition and bodies of work examining the legacy of post‑war astronautics. Drawing on graphite relics from a V‑2 rocket, children’s drawings and mural motifs, the exhibition stages colour‑in pages alongside wall drawings and hybrid objects that hover between craft and ready‑made. Mixed‑media pieces employ encaustic, embroidery and hand‑written texts to interrogate the rocket as an icon that condenses both promise and violence, situating technological histories within intimate material registers.

6 – 15 March

Belleville-based photographer Souleymane Fofana, known as Commeas and also a player with JA Drancy, presents a body of photographic works that approach football through instinct and immediacy. Using motion, blur and saturated colour, he captures energy rather than fixed form, privileging rhythm, perception and spontaneous gesture over technical precision.

The images emerge from intuitive, in-the-moment shooting, a visual language of movement that evokes play, chaos and collective intensity. The presentation runs alongside the film Belleville nous verra toujours danser.

4 – 29 March

Iris Leroyer presents Rez:urgence, a series of material-based works exploring contemporary urgencies—ecological, social and philosophical. Working through matter and its memories, Leroyer probes tipping points between entropic decay and regenerative processes, where the living oscillates between collapse and resurgence. The exhibition gathers tactile, process-oriented pieces that reveal histories embedded in materials and invite reflection on emergence, imbalance and the possible forms of renewal. It forms a chapter of the artist’s Opus Carbone project at the intersection of art and ecology.

4 – 15 March

Mauren Brodbeck presents Imperfect Laughter, a series of unique risograph prints that foreground experimentation, sensuality and the beauty of error.
Through layered inks, bleeding, misalignment and photographic traces that appear and dissolve, the works combine printmaking and photographic gestures. Themes of bodily pleasure, spontaneity and the acceptance of accident run through the series. These unretouched pieces celebrate hesitation, overflow and the visible traces of moments when colour, touch and chance make images vibrate.

7 – 28 March

On the occasion of the release of his monograph La voix de la pierre (Éditions Slatkine, 2026), Jo Fontaine is featured in a dual exhibition presented by Galerie Marianne Brand and Galerie LIGNE treize in Carouge. The show presents a selection of his sculptures that bear witness to half a century of artistic research and commitment, where stone reveals its millennia-old memory through refined and symbolic forms.

Artist talks will take place on Saturdays, March 14, 21, and 28, offering an immersive journey into his meditative universe, rooted between intimacy and transcendence.

The vernissage will be held on Saturday, March 7 at 11:00 at the Théâtre de Carouge, with the official book presentation followed by an aperitif.

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