In “L’Aquarium,” Calaferte delves into the monotony and routine of a couple after many years together. Set during a fall evening, this comedy highlights how former passionate partners become unable to surprise each other, trapped in their daily lives much like fish swimming in circles in an aquarium. The humor emerges from everyday situations, skillfully captured by the author.
In French.
Illusions by Ivan Viripaev is a witty and heartfelt comedy exploring the secret lives of two long-married couples. As they reveal past indiscretions, hidden desires, and untold stories, laughter and emotion intertwine, prompting reflections on love, trust, and the delicate balance of long-term relationships. Enhanced by live cello and viola, this playful yet profound piece holds up a mirror to the joys and complexities of intimate life.
In French.
The Ensemble Les Illuminations continues its commitment to contemporary women composers with their concert Vera Vita Viva. Featuring a new work by Claire-Mélanie Sinnhuber for five instruments, the piece weaves together baroque timbres and contemporary colors, sacred and profane, tracing a musical thread from Élisabeth Jacquet de La Guerre to Kaija Saariaho, Ethel Smyth, and Sofia Goubaïdoulina, where memory and invention engage in a continuous dialogue.
Compagnie Le Monde au Balcon.
Camille Broquet and Marion Pouvreau inject humor and modernity into Gustave Flaubert’s “Madame Bovary,” blending a faithful adherence to the original text with a contemporary perspective. They reimagine the fate of Emma Bovary, highlighting provincial ennui and marital dramas with wit and tenderness. This lively and intelligent performance breathes new life into a frequently misunderstood classic, demonstrating its ongoing relevance. The staging combines improvisation, voiceover, and absurd humor to engage the audience from start to finish. Written and performed by Broquet and Pouvreau, with direction by Edward Decesari.
In French. Ages 12 and up.
Choreographer Soa Ratsifandrihana brings together four performers with diasporic roots to explore themes of identity, connection, and individuality through dance and song. Titled Fampitaha, fampita, fampitàna (Malagasy for comparison, transmission, rivalry), the piece celebrates shared cultural expression. It is accompanied by the podcast Rouge cratère, a personal and political reflection on Madagascar, colonization, and the embodied experience of diaspora.
Les Inoubliables festival in Geneva shines a spotlight on women composers past and present, from classical to jazz, through an eclectic programme of concerts, screenings, masterclasses, cine-concerts, round tables, and workshops for all audiences. It also carries out long-term initiatives such as residencies, score publications, and outreach activities, helping preserve and promote this rich female musical heritage.
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