The 133rd edition of Geneva’s iconic satirical show, La Revue Genevoise 2025, takes place at the Casino-Théâtre before its renovation. Blending musical comedy, songs, dance, and sharp humor, the Revue playfully revisits local, national, and international news. It promises a festive and witty evening to enjoy with friends, family, or colleagues, celebrating laughter, wonder, and the end of an era at the theater.
In French.
Actor Samuel Labarthe turns Nicolas Bouvier’s fever-drenched memoir The Scorpion-Fish into a hypnotic, miniaturist tour de force: marooned in 1950s Ceylon after a headlong road trip from Geneva through the Balkans and Afghanistan, the once-ebullient traveller spirals into tropical delirium, trading human company for buzzing insects, mirage-bright visions and mordant humour that flits between the sublime and the grotesque. Under Catherine Schaub’s finely gauged direction, Labarthe channels both the lush lyricism and the slow-burn torment of this “motionless voyage,” distilling Bouvier’s languid prose into a tactile, rejuvenating elixir that lets the audience feel every bead of sweat, jolt of wonder and sting of isolation.
In French. Ages 12 and up.
Renowned tenor Benjamin Bernheim, accompanied on piano by Carrie-Ann Mathseson, will perform in the prestigious series Les Grands Interprètes. The program features works by Bizet, Duparc, Chausson, Tchaikovsky, Puccini, Massenet, Kosma, Trenet, and Brel. Audiences can look forward to famous excerpts such as “Je crois entendre encore” from The Pearl Fishers, “La fleur que tu m’avais jetée” from Carmen, “Pourquoi me réveiller” from Werther, and “Les feuilles mortes.”
“To Hell with War!” is a satirical parody of “Ubu Roi” by the Studio d’Action Théâtrale, under the direction of Gabriel Alvarez. Drawing inspiration from Jarry, the performance condemns war as a grotesque and tragic charade. Actors portray absurd characters that lay bare the senselessness and brutality of conflict, staging a macabre dance against destructive capitalism.
In French. Ages 15 and up.
Who hasn’t, as a child, woken up in the middle of the night, disoriented, surrounded by mysterious shapes that might be monsters—or maybe friends? “Bachibouzouk”, by the Philippe Saire Company, brings that in-between world to life, blending dance and object theatre in a poetic, twilight performance where imagination takes over once the lights go out.
Ça Veut Jouer (Ou Bien?) is a witty and poetic one-man show by Robert Bouvier, who steps in as the unlikely Prince Siegfried when a ballet company is held up at the airport. Drawing on his own experiences as actor, director, and theater manager, Bouvier humorously recounts his artistic journey—from his first school play to leading the Théâtre du Passage in Neuchâtel—while sharing behind-the-scenes tales of politicians, patrons, and temperamental artists. Directed by Joëlle Bouvier and Simon Romang, the performance blends storytelling, music, and theatrical charm into an unforgettable solo experience.
In French.
In Un volcan silencieux, sociologist and director Diane Muller reconnects with ten former classmates from Dijon, all born in 1979. Through open interviews, she explores how gender, class, and societal expectations have shaped their lives — from romantic ideals to motherhood and solitude. On stage, their voices are transmitted live, creating a powerful, intimate portrait of a generation.
Co-produced with the Les Créatives festival, the piece blends sociology and theatre to map the invisible lines of social determinism.
In French.
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