An exploration of artist rubber-stamp prints and graphic holdings from the 1960s–70s, focusing on mail art and Fluxus-era exchanges.
The presentation brings together prints, drawings and epistolary works that use rubber stamps, ink, photocopies and collage to circulate images and signatures beyond major art centres.
Through works by various contributors — including an untitled stamp piece by Peter van Beveren — the display reveals how simple techniques fostered networks of creativity, subverting conventional authorship and privileging exchange and reproducibility.
In French.
