Saturday 7 March, 16:00

FIFDH: Black Water

Black Water follows Lokhi and her family as they flee a ravaged southern Bangladesh toward Dhaka. Framed with the pulsing rhythm of a thriller, the film moves from intimate domestic tension to the apocalyptic collapse of cities, observing exile, displacement and the human cost of climate change. Its cinematography favors textured close-ups and wide, drowning panoramas that trade familiarity for menace, creating a tense, elegiac atmosphere. The film’s strength lies in its restrained empathy and searing portrait of a world at the brink of submersion.

In Bengali orignal version with French subtitles.

Screening followed by a discussion with the protagonist and activist Shakila Islam.

Rue du Général-DUFOUR 16,
1204 Genève
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Photo Credit: DR

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5 January – 23 March

Curated by the Geneva University Film Club, Lost in Narration gathers films by directors such as Federico Fellini, Alain Resnais and David Lynch to explore non-linear, disorienting storytelling. The series maps fragmented narratives and dreamlike logic, offering snapshots of memory, identity and cinematic form. Expect varied visual textures—from luminous retro frames to saturated nocturnes—and an emotional pulse that moves between unease and melancholic wonder. It highlights how narrative instability opens new dramaturgies and sensory possibilities in cinema.

Monday 2 March, 19:00

Constanze Ruhm’s essay film Gli appunti di Anna Azzori unfolds as a layered, investigative meditation on a life captured on film. Working from the earlier Anna by Alberto Grifi and Massimo Sarchielli (Berlinale Forum 1975), Ruhm assembles clusters of archival material and reflection to trace Anna Azzori’s precarious existence without resolving it. The film probes the place of women, memory and representation, deconstructing patriarchal narratives through a fragmentary, tactile cinematic language that is intimate, questioning and quietly insistent.

Tuesday 3 March, 18:30

As part of the Ciné-Club UNE AUTRE HISTOIRE, Claudine Bories gives voice to men in this incisive 1981 documentary, listening to their stories about childhood, love, sexuality, and everyday life. Shot in color, each testimony is framed in an intimate, familial, or personal setting, turning their words into a vivid, often playful, and highly intense portrait. Winner of the Grand Prize in the French Competition at Cinéma du réel, the film combines rigor and warmth to explore masculinity and human connections.

The screening will be presented with the director Céline Pernet as a special guest.

In original French version.

Tuesday 3 March, 18:00

Olivier Azam and Daniel Mermet revisit Howard Zinn’s life and work in a striking archival film that stitches together testimonies, documents and historical fragments. Anchored in Zinn’s committed Marxism, the film amplifies voices long excluded from official narratives—enslaved people, Indigenous communities and labor activists—tracing five centuries of struggle. With textured archival frames, a contemplative rhythm and polemical undertow, it reframes public memory and probes how history becomes a battleground for political imagination.

Followed by a discussion with co-director Daniel Mermet.
In partnership with the Maison de l’Histoire.

In English (original version), with French subtitles.

Thursday 5 March, 18:30

Co-authors Frédéric Wilner and Moataz Madi helm a probing documentary that follows the University of Geneva’s archaeological mission at Saqqâra. Their camera traces the unearthing of a tomb attributed to the vizier Ouni, raising questions about its ownership and purpose. The film blends measured investigative pacing with textured imagery of dust, stone and inscription, exploring themes of memory, legacy and the politics of archaeological narrative. Intimate interviews and revelatory finds create a contemplative, suspenseful atmosphere that foregrounds the human stories behind ancient monuments.

In French.

September 2025 – June 2026

LES SŒURS LUMIÈRE, the feminist film club of the Bibliothèque Filigrane, returns to Les Cinémas du Grütli with a cycle of six screenings from September 2025 to June 2026. Dedicated to the courtroom drama, this new edition offers a feminist re-reading of the genre, highlighting the challenges women face when confronted with moral and repressive orders.

Program Details:

  • Saint Omer — Alice Diop, 2022 (France): Thursday 25 September 2025

  • Une part du ciel — Bénédicte Liénard, 2002 (Belgium/France): Thursday 13 November 2025

  • Anna Göldin – Dernière sorcière — Gertrud Pinkus, 1992 (Switzerland): Thursday 29 January 2026

  • Le Silence autour de Christine M. — Marleen Gorris, 1982 (Netherlands): Thursday 5 March 2026

  • L’Audition — Lisa Gerig, 2023 (Switzerland): Thursday 7 May 2026

  • Hannah Arendt — Margarethe von Trotta, 2012 (Germany): Thursday 18 June 2026

All screening at 20:30.

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