Three open-air cinema evenings featuring films filled with emotion, humanity, and courage.
Program:
Friday 3 July, 20:00 – À Bicyclette !, Mathias Mlekuz, 2024.
Saturday 4 July, 20:00 – Hola Frida, Karine Vézina and André Kadi, 2025.
Sunday 5 July, 20:00 – À bras le corps, Marie-Elsa Sgualdo, 2025.
In French.
Mel Brooks’ Young Frankenstein is a jubilant parody of classic horror cinema directed with affectionate absurdity and kinetic visual gags. Framed as an homage to Universal monster films, the film blends slapstick, sharp dialogue and expressive cinematography to riff on identity, legacy and the grotesque. Centered on an awkward heir and his creations, it balances reverence and irreverence, using exaggerated performance and playful pacing to deliver warm, anarchic comedy rooted in cinematic pastiche.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Mike Nichols’ The Graduate is a sharp, satirical drama that captured the unease of 1960s America. Combining ironic wit, precise editing and an evocative Simon & Garfunkel-infused score, the film follows a young man’s disillusionment after college as he navigates desire, moral ambiguity and generational conflict. Subtle performances and Nichols’ crisp direction create a melancholic, comic tone that explores alienation, identity and the complicated rites of adulthood without revealing its twists.
In French.
Arthur Harari’s intimate drama follows David Zimmerman, a reclusive photographer whose life is unsettled when he fixates on a stranger at a party and wakes up in her body. Harari deploys restrained framing, naturalistic performances and a cool, precise visual palette to explore identity, desire and the disquiet of inhabiting another self. Tautly paced and atmospheric, the film balances psychological tension with moments of quiet humanity, inviting reflection rather than giving easy answers.
In French. In the presence of director Arthur Harari.
Jackie Reem Salloum’s documentary traces the rise of Palestinian hip hop in the late 1990s through intimate portraits of artists such as DAM, Mahmood Shalabi (MWR), Abeer Al Zinati, Arapeyat and Palestinian Rapperz. Shot with observational empathy, the film blends road-like encounters and performance footage to capture anger, resilience and lyrical dissent against occupation, inequality and gender discrimination. Raw, rhythmic and compassionate, it foregrounds music as a vehicle of identity, resistance and communal longing.
Óliver Laxe’s Sirāt is a hypnotic cinematic journey propelled by electronic pulses and a magnetic soundtrack by Kangding Ray. The film follows a collective adventure where music becomes an agent of attraction, moving between communal euphoria and moments of existential vertigo. Shot with immersive sound design and a patient, sensory camera, it explores desire, identity and the communal power of rhythm. Intense and meditative, Sirāt blends documentary textures and lyrical abstraction to map emotional intensities without conventional narrative anchors.
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